Pathological review of cinema in religious and messianic perspective; Secularization approach of the cinema in Iran (Case study film of " Tala va Mess" (Gold and Copper)

If religion be defined as " Promotion" of the ego, materialism and status, according to the Islam, the Sharia and responsibilities of human amount himself, God and others; according to that, Islam claims to direct and manage all aspects of an individual and social's life of his followers and promising a bright future for man; so that the "Secularization" can be defined as "staying in the ego, materialism and status, trice price" and thus " reducing the role of religion and its teachings in management and direction of individual and social's life of his followers and lack of attention to the promised and the bright future.
To know whether in Iran the possibility of "Secularization" of the track 'cinema' exists or not? Have to adopt a definition of "Secularization" and "Religion" and then review the basics of the art of the Christian modern West. For arrangement to discuss about “Cinema", as a result of West and modernity, and discuss about its secular nature and origin.
To continue, we discussed of the principles of philosophy of Christian West art such as “Incarnation oriented”, “Visualization” and the “Desacralizing”. Continuing the downward trend in the Renaissance and then in the art of the modern era that based on the "Hedonism" and "Romanticism". We emphasized this downward trend as Secularization of Religion, Culture and Society.
It seems, according to the philosophical foundations of Islamic art that based and emphasizes on the principles: "denial of the Incarnation", but the " Epiphany", "Simulation" and the “Promised bright future", In Iranian today’s cinema regardless of that fundamentals, wanted or unwanted it complies with the principles and must not flow path and providing to the Mahdavi community, not messianic and messianic promised community, but based on "Secularization", even in the film who claim to be religious is to be over. This process occurs in Iranian cinema for the following reasons: (1) lack of attention to the fundamental philosophical differences between Islamic and Western art, (2) the secular nature and origin of the cinema, 3. attacking on religion that kind of prestige and class "Intellectual".