The representation of Nahid's supernatural tasks from artwork's narrative

Abstract:
There is always a spiritual and intellectual power in primeval art which connects our world with supernatural world.
The foundation-stone is agricultural lifestyle and farming archetypes in Iran ancient civilization; so, enrichment subject-matter or enhancement idea is a fair question for the other ancient culture.
The generative idea performs a vital role that is connected with goddesses.
These forms, shapes and metaphysical functions of goddesses composed of natural elements like: The Zodiac (Stars), plants, animals or music instruments.
The Iranian goddess named Anahita/ Nahid.
She is the symbol of generative idea and the kingdom of thought Seas.
People knew very respectable goddess of the waters/Nahid and Temples are built for her people. They gave gifts to her temples. Gifts were the valuable works of art which had some pictures of Nahid. These images showed her supernatural tasks which inspired by religious texts and books. So we have reviewed religious literatures of Iranian Ancient centuries. If we pay attention to these ancient texts, we do not make mistakes in our interpretation from Nahid's image.
This research method is based on library and documentation from works of art; and its method is comparative study of art. This researcher tried to find points of similarity between Anahita and the other goddesses in matriarchal and ancient civilization, and illustrate & analyze the roots of their shapes for finding common denominator.
We can see their pictures & effects on each other in art.
Language:
Persian
Published:
Journal of WOman in Culture Arts, Volume:9 Issue: 1, 2017
Pages:
93 to 117
https://magiran.com/p1730527