A Review of the Dark Side of the Story by Houshang Golshiri Based on the aesthetics of narrative in the component of Gerard Genette

The narrative art itself is a very important aesthetic. Usually a large number of aesthetic components come into play in well-paid stories. These components include the essential ideas of narrative structure such as point of view, narration center, choice of type of speech, etc., which are structured in coherent structured lines. In this study, the authors have investigated the structural component of the aspect, namely distance and focalization from the perspective of the genius in the collection of the semi-dark story of the month by Houshang Golshiri. The author has used direct narrative and narrated speech in the distance component in all thirty-six stories. Indirect speech has been used in sixteen stories and free speech in nine stories. Also, in the component of unconventional, homogenous representation, a story. Unconcentrated with heterogeneous representation, two stories. Internal center with homogeneous representation, twenty five stories. An external center with heterogeneous representation and an external center with homogeneous representation, each of the four stories and the external center with homogeneous representation is also not used in any story.