Study of Actor’s Dramaturgy in Dynamic Post-Modern Theatre Based on Eugenio Barba Theory

The first stage dramaturgy is a performance that begins not with the text and not ending the show. The importance of using this term for Barba is at the center of attention and emphasis on the actors’ preparation process. In this perspective, dramaturgy is a technique for realizing real actions in the world of storytelling of dynamic stage space. The dynamic space in the design is a combination of light, sound and image. With the difference that technology plays an effective role in the aspects of illustration and composition, it shows the space of execution as the assembly space. These are the most important pillars of the post-modern theater. In the theater, the electronic equipment, with the help of the director, is more flexible and more selective. In this new space, in contrast to the two-dimensional space of the classical design, with the advent of the events we noticed a story, there is no definite storyline. For this reason, the body movements of the actor are not to express feelings or storytelling, but to regulate active elements in space. With the increasing growth of non-text shows and with different approaches in the field of implementation studies, an examination of the behavior of the actor in this space is necessary. Therefore, the research with a post-modern approach to how the actor’s relationship or act as Darmathorr with the stage of the theater’s dynamic scene Postmodern The purpose of this question is to achieve the new meaning of acting and technique of the actor. The present study is descriptiveanalytical and in terms of collecting library information.
The data analysis was qualitative and the non-random sampling method was used to select the subjects. The findings indicate that the dynamic space is the result of the unity of digital instruments, media, technology and the body. In this space, new relationships are defined between the actor and his body, which means that they create a unitary entity. The actor is in the new definition of body and sound, which identities in space, and is not merely part of a coherent whole.