Sistan and Balochistan University Farrokhi Sistani's Poem Music

The First difference between mass communication language and the poem’s individual language is, at least in our traditional poetry, speech music. The tools for the creation of poem music are investigated from three dimensions: prosodic rhythm, rhyme, row, and phonic repetitions within poems. Generally speaking, farrokhi Sistani’s poem music is joyful because of the poet’s life condition and coexistence with the Ghaznavids court. Bahre Ramal is the most used prosodic rhythm in his book. What is regarded as unpleasant Bahr is rare, only two odes were composed roughly, because a cool and silent spirit dominates them and they lack emotions. The usage of row (order) does not have a drastic statistic in his odes, but his ability in using row in fourteen odes is evident. The finished rhyme has the highest frequency in his odes and nearly all his admired persons are present, and the famous ode of Daghgah description of Amir Abulmozzafar chagha- ee is one of these odes ending to the zenith of “R”. The phonic repetitions have an efficient role in music creation of the poet’s poem.