An Analysis of the Knowledge of New Arts in the City Context

Reading the field of city art requires understanding the laws andconditions that govern it, or the knowledge that governs its time. Theknowledge discussed in the present paper is defined as: the knowledge thatemerges from a deep reflection at any time, dialogue and education,representing and interpreting that period of issues, phenomena, values andinsight, showing prospects that increase the potential for effectivegovernment and artist action and decision-making, affecting andresponding to citizens' mental processing of the time. Accordingly, thispaper seeks to answer the following question: What are the components ofknowledge governing the field of city art that interact between the state,the artist, and the citizen. Studies show that there is a kind of awareness ofcity art that, through its components, derived from the current state ofurban societies, necessitates the participation and interaction of the state,the artist, and the citizen. In such a way that the artist is given theopportunity to present them as new art by considering such components inthe creation of his/her works. On the other hand, he/she can fulfill thegovernment's goals of creative urban development and transform theminto allegorical ways of effective knowledge and citizen acceptance. But arecent paper of some of the artworks of Yazd indicates that because theartist has poorly utilized or lacked knowledge of the components ofknowledge, he/she has not been able to guarantee the realization of thegovernment's intended goals and missions for citizens