Evaluation of Nima Yooshij''''s Poems Based on Frankfurt School of Critical Aesthetics

Contemporary Persian literature is unmatched in terms of its deep social and political insights and the breadth of human vision and popular goals that had rarely been possible in Iranian literary past. The poets and writers of this period, along with other members of society, criticized the ugly manifestations of society, and literature which before could not be criticized by governments for the sake of social order in this period as a weapon for Freedom and the means were used to express political and social criticism. The purpose of the present study is to examine Nima Yooshij''s poems based on the theory of critical aesthetics of the Frankfurt School. Nima''s approach to the quality of art''s connection with society has a critical approach. An approach that, as Frankfurt''s thinkers have interpreted it, is well visible in modern art. According to this view, modern art indirectly rejects the present situation without being reduced to the illustrator of social realities and entangled in excessive recreation. The results show that in Nima''s poetry, the critical relations of art with society appear to be excellent, with the use of certain techniques such as naturalism, symbolism, themes such as love, criticism of people and society, etc. It is evident in his poetry. In addition to these critical themes in the context of poetry, he has an interesting opportunity in the field of political and social criticism