Analiysis of Greimas's existential discourse during "Peykar- e- Farhad" of Abas Marofi

The fiction literature is an appropriate range for discursive research in the composition of narrative and narrative, Narratives are the understanding of the relationships and the inner composition of literary work in order to achieve the ultimate structure of a narrative, and the narrative based on aesthetics is a new step in the field of fiction literature. In order to understand and understand a narrative, it is necessary to identify the specifics of the storytelling language, and because, in the process of discourse analysis, the discovery of the structures of implications, the semantic system can be discovered, can be a suitable area for extraction of actions and souls that create a new meaning. On the other hand, the conditions governing the flow of the mind can transcend the objective signs that have come about in the course of time in a new chapter of semantic separation, and by introducing the new meaning of existential discourse of Greimas by creating the plots and implications of the narrative's course of action existential positions are shaped. In this essay, existential discourse is a product of the flow of the narrator's mind through semantic holes. The discourse's rhetoric, when it comes out of an unlucky situation in order to reach meaningless transcendence, creates the existential discourse and, in a sense-perceptual direction, draws on the fragmentation of the desire to create new and different signs.