Stylistic Analysis of Spiritual Rhythm in the Ode Taeet Al-Kabra of Ibn Farraz Mesri

Stylistic as one of the methods of understanding contemporary critical linguistics discovers the thought process of literary figures with the study of their inner world, aim and thought as well as their personal style. Spiritual music is one of the levels of linguistic analysis that is important in stylistic study process. The Ode Taeet al-Kabra is an immortal work of Ibn Farraz Mesri, a 7th century Egyptian poet, mystic and author that with more than 700 verses is identified as "Nazm al-Saluk ". In addition to divine love and mysticism, it is also known for its beautiful text as well as literary and rhetorical mastery. This study examines the rhythm of al-Kabrachr('39')s ideality with a descriptive-analytical method and relying on stylistics. The results indicate that Ibn Farraz in his story by using coherent and epic phonemes and different types of prose, provides a symphony of comfort in the layout of space of letter and words that audience are interesting and affected with.