Reread the dramatic aspects of Zootopia animation based on double contrasts

The concept of dual confrontations from Plato to Derrida's deconstructionist approach has been the dominant framework of the Western philosophical system. As in Islamic philosophy, this argument is presented with Sadra's view as skeptical opposition, and in mysticism, paradoxical opposition, such as unity in plurality, plurality in unity, is discussed. Contrasting perspective is used in various fields, especially in works of art and drama. This article tries to examine the contrast in the dramatic elements of Zootopia animation. Zootopia animation narrates the story of utopia with a confrontational look, which, regardless of its adaptation or non-adaptation to the utopia in Islamic and Shiite culture, the contrasts of this work have made the audience more dramatic and more connected. And it can be used more in creating dramatic works, especially Mahdavi works.