Aesthetic study of postmodern sonnets based on the poems of Reza Braheni and Seyed Mehdi Mousavi

The school of postmodernism became popular in Iran in the 1970s through the translation of Western works and the travel of poets and writers to Western countries. Unlike modernism, this school tended to go back in time and borrow from myths and antiquity. The works of this school have important differences with other literary schools and are often ambiguous and complex. Reza Braheni and Seyed Mehdi Mousavi are two poets of this type of poetry, whose poems have been studied aesthetically in this study. Braheni himself is one of the theorists of postmodernist poetry and in his poems the components of postmodernism can be seen more. . The postmodern components in the poems of these two poets include such things as: white writing, semantic avoidance, frequent repetitions, lexical and grammatical aberration, familiarization, but the way these elements are used is different. Braheni's poems are in the form of Nimai and have postmodern elements in terms of image and writing; But Mousavi has written more in the form of classical poetry with the same stanzas of poetry.