The Influence of the Concept of Independent Selection and Existential Authenticity in the Drama Verb from Heidegger's Perspective
Author(s):
Article Type:
Research/Original Article (دارای رتبه معتبر)
Abstract:
Humankind is always in the midst of everyday life, and to pass through this domain, he needs action or heroic action. Heidegger believes that humans are frequently subjected to a leveling pressure that causes them to become just as homogeneous as the congregation or convergence. This leveling pressure stems from modeling and social norms that language is the most fundamental factor in producing them. It does not make his actions independent and autonomous choices but are subject to public opinion; this eliminates originality from man and makes him part of the others. What gives humankind authentication is an autonomous and independent action that separates man from all social norms that concern them.The present paper, based on the bibliographic data and descriptive-analytical method, attempts to examine the drama "verb", and answers the question of how this drama’s formulation is based on the role of human choice in the direction of existential authenticity. It also describes how to consume the language as an equalizing factor and shows that in the verb drama, language creates a bunch of vague meanings and does not allow that characters express their feelings, and thoughts and intentions, but in the meantime, the character of Leila independently chooses to separate her from the rules of everyday language. It makes Leila find existential authenticity and accept death. In the same way, Farhad also faces this and returns to the course of the relationship between death and the originality of "self."
Keywords:
Language:
Persian
Published:
Journal of dramatic Arts and Music, Volume:12 Issue: 25, 2022
Pages:
5 to 21
https://magiran.com/p2455539
مقالات دیگری از این نویسنده (گان)
-
The role of memory in the construction of history and the formation of society in the historical drama of the first Pahlavi era based on the views of Paul Ricoeur
, Kamran Sepehran *
Journal of Rahpooye Honar Performing Arts, -
The Impact of Migration on the Identity of the ‘Stones in His Pockets’ Characters: A Critical Reading of the Marie Jones’ Play
Ali Rajabzadeh Tahmasebi, *, Poya Raissi
Theater,