Calling Shahnameh characters in Welcome To Hades Novel; An action to weaken the discourse of the eighties

The novel is one of the common types of contemporary literature that is directly related to the socio-political construction of any society. It has now strengthened this bond in recent decades; because epics and myths with their many capabilities can help the author to reflect the context of the metatext and express the issues for or against it. Hence, novelists also employ different and sometimes contradictory approaches to the context of the metatext. In this study, we seek to answer the question that Belqeis Soleimani as of one of the authors of this type of novel, why and how invited epic characters to her novel?" To answer this question, we first examine the socio-political construction of the time of writing the novel (the eighties Ssi). Then, using the method of qualitative content analysis, we have clarified the author's position for or against the context of our metatext. Findings show that Soleimani by calling the active and norm-breaking activist Rudabeh of Shahnameh to her novel and making her passive against the norms of the patriarchal society and showing the negative consequences of such norms for Rudabeh as a representative of women, tries to represent and weaken patriarchal discourse by creating tension between actions of pretext Rudabeh and protext Rudabeh.