The originator, the creator of the Nastaliq script and the streamer of the visual culture of the wisdom of Iranian Islamic art

Author, creator, creator, and titles like this remind every human being of the holy essence of God and the pure nature of God. In the meantime, and in the passing of days and ages, there have been people who, by thinking and creating an idea, have given an earthly and concrete manifestation to the heavenly nature of the unique creator. The religion of Islam also provided this platform for calligraphers to think about the appearance of all kinds of lines and try their luck to embody and illustrate the divine word. As the most beautiful Islamic calligraphy, which is nicknamed the bride of Islamic calligraphy, it seems that after years of transformation and development, it tries to show those beautiful divine manifestations as well as other noble human themes. This research tries to address the issue of whether the invention of this method of calligraphy has been effective in the introduction and expansion of Iranian and Islamic art. To give a clear answer on the role of explaining the Nastaliq calligraphy in Islamic culture and art. In the upcoming research, which has been carried out by a descriptive-analytical method and conducting library and documentary studies in a combined manner, with observations made from the images of existing written documents and referring to some theories of historians and experts in the field of Islamic arts, as well as reviewing the circumstances. And the life of Mir Ali Tabrizi as the creator of the Nastaliq script, the originality of Mir Ali's achievement in regularizing the Nastaliq script has been discussed. Also, considering that this line has had a tremendous impact on the aesthetics of Islamic arts over the years, it is examined as a cultural flow in Islamic wisdom and art.