Principles and Strategies of Front Formation in the Arena of Culture (Based on the Thought of Sayyid Mohammad Mahdi Mirbagheri)

In the second phase of Iranian revolution, many cultural lovers and activists doubted the effectiveness of official organizations and increasingly turned to popular capacities as the key to the survival and progress of the Islamic system when facing the enemy's cultural front. To the extent that the developments of recent years among the revolutionary young believers of Iran, the formation of middle circles and the formation of the Cultural Front of the Revolution in the nineties (Iranian Calendar) are considered as part of the path to the realization of the Islamic government and democratization of governance. It seems that macro-policy with the aim of flourishing the cultural front of the revolution, based on religious principles, analysis of past experiences and its status quo, as well as in accordance with the latest plan and cultural invasion of the enemy is one of the main priorities of the second phase of the revolution. This study, through content analysis, has examined the speeches and written works of Professor Sayyid Mohammad Mahdi Mirbagheri on issues related to the Cultural Front of the Revolution and identified ten basic themes to manage the process of formation of this front. By clustering similar groups, the findings were categorized in the form of two organizing themes, including the principles of front forming and macro-strategies, which were defined under the comprehensive theme of "front- forming requirements in the cultural arena" as the focus and the core of the theme network.