An analytical-descriptive study of the position of the prophet and the reasons for its necessity in Ibn Sina's works

Irony means humor, sarcasm and showing conflicting aspects of a text or work, which often causes laughter. Irony is also used as a visual technique in the narrative or form of a visual work. In this article, irony in three paintings of the Shiraz school of painting and in particular the Al-Inju period is examined because it is believed that the social conditions of the Mongol rule caused Iranian artists to use illustrations and books. Arai have expressed some concepts ironically and ironically. Therefore, the purpose of the research is to introduce the components and applications of irony, and the other is to analyze the quality of irony in the content and form of three illustrations of the illustrated Shahnamehs of the Al-Injo period, including "The imprisonment of Zahak by Fereydon", "Death of Chahar Hamdel Ki Khosro" and "Accusation". Soudabeh to Siavash. The research material is derived from library data and is based on descriptive-analytical method. The findings of the research show that paintings are more capable of ironic analysis in which the main subject is faced with deep and absolute conditions such as death or a dangerous situation that leads to death. In all the examined pictures, there was an element of taste and structural irony and situational irony were used in them.