“Ontology of cultural project”, tissue-like configuration

Among various phenomena, culture and its belongings, including cultural products and practices, are among the things that are not considered as important as the extent and intensity of their influence. The proof of this claim is the lack, and in fact, the absence of models and guidelines for the design of cultural actions and products. Since the design of methodologies, methods, techniques and tools supporting the design of cultural actions is deeply dependent on ontological studies, the aim of this research was to produce a coherent structure to introduce the elements of the cultural project from the ontological dimension with a network approach. This research was based on the research approach of qualitative content analysis by adopting the strategy of analysis and synthesis. In the implementation of this strategy, for the stage of data collection from the library method and systematic review, for the stage of data analysis and synthesis, from the meta-synthesis method, for the implementation of the meta-synthesis method, from the model of Sandelowski and Barroso, for the implementation of this model from the coding technique and for the implementation of this The technique of MAXQDA software tool is used. Among the reviewed models, methods and methodologies, in total, 10 options were chosen to perform meta-synthesis. This research believes that the cultural project is not completed by the action of the performer, but its completion depends on the action of the audience. The configuration of this view using the metaphor of tissue is such that cultural project are like interweaving threads of beneficence into threads of exploitation and finally what is achieved is a cultural project as a coherent weave. Beneficence threads and exploitation threads are based on the five aspects defined for each move, including five threads "Drive", "Agent", "Accessory", "Act" and "Terminal".