Stylistic analysis of Mattlae Mazandarani's Diwan Relying on three layers of language, expression and thought

 Examining the content and structure of manuscripts can effectively help to understand the style of each period and the factors influencing it, as well as promote the scientific and cultural achievements of different eras. The purpose of this research is to analyze the style and content of Mazandarani"s Divan Taherir from three intellectual, linguistic and literary perspectives.

 This article is based on library studies and has been done in a descriptive-analytical way, and the scope of the study is Mazandarani Divan.

 Mazandarani is knowledgeable about unknown poets, mystics, theologians, jurists and scientists of the 13th century AH, and a manuscript left by him during the Qajar period is, in fact, a valuable heritage and a precious and written gem. It is a period that not only expressed a part of the intellectual and religious discourse and events of that period with the language of poetry, especially in odes, various styles and styles of poetry can be seen in his poetry, taken from sonnets and odes. Up to the piece and the preference of the clause; He has tested his character and his poetry is almost five thousand verses.

 Mazandarani"s mattlae of poetry is almost the same as that of the return poets, which is evident in his odes from Khaqani Sharvani and in his sonnets from 7th and 8th century sonnet writers. The effect of the Syrian artifice in his poems, which are decorated with verses, hadiths, jurisprudential, theological, mystical words, etc., and the use of synonyms and Arabic words; It is clearly seen.