Story writing, today considered as literary writing techniques, falls into different categories by approaching social themes. After the important events of the first half of the twentieth century pastoral writing found its way into literature; with the passage of time and the endeavor of the Arabic writers it also appeared in the literary writings of the Arab writers. Some of the writers chose the setting of their stories based on rural communities and drew on the incidents of such societies. In this regard, the Lebanon literature has also profited from the pastoral stories. Emily Nasrallah has written three pastoral novels and several short stories. This paper deals with Emily Nasrallah's pastoral stories and explores the writer's literary features and themes by showing its manifestations in her stories. The descriptive-analytical method indicates that Emily Nasrallah's style of writing shows a gradual improvement in her pastoral writings, revealing her maturity and constancy.

Cultural, political, and social associations among Iran and Arabic nations such as Lebanon has been existing from Achaemenid era that this interaction, consequently, has led to the common cultural-scientific goals between these two nations. However, the noteworthy outcome is the effect of Persian language on Arabic language which has a long story and plays an important role. This progression started from the pre-Islamic period, when Persian vocabularies affected poets’ poems, and has been continued by the contemporary era. But what has been paid less attention is the effect of Persian culture and language on Lebanese literati. Khalil Mutran is known as one of the great Lebanese poets who revolutionized traditions and created a new prospect in Arab world poet. (Maqtal Bozargmehr) quasida is one of his works which is an exclusive epic in representing some aspects of Persian history. Mutran’s goal in writing Maqtal Bozargmehr quasida was Arab uprising against Ottoman regime to set themselves free from autarchy. In this quasida, Khosrow Anushiravan is a hidden secret to the Ottoman king. And Bozargmehr story has an exemplary aspect that aims at awakening the new generation in the Arab world. This study tries to review and evaluate the Maqtal Bozargmehr quasida, written by the great Arab poet, through content analysis method. Khalil Mutran known as “Qutrain poet” – territorial poet- (Lebanon and Egypt) that Persian language effect is well evident in his work.

The common and common patterns of emotional relationships and attachment between people have been reflected in realistic stories, and the skill of the writers in presenting these patterns has made their writings more attractive and believable. Leila Baalbaki and Zoya Pirzad are contemporary realist writers of Lebanese and Iranian literature, and dealing with emotional issues and relationships (women) is one of their prominent intellectual features. Many psychologists have tried to explain love and emotional relationships. Robert Sternberg is one of these psychologists who explained the reasons for the durability or breakup of relationships between men and women in the form of the love triangle theory. He considers love as a pyramid that has three pillars: "intimacy", "lust" and "commitment". From the combination of these three pillars, different types of love are formed. The authors of this article try to analyze the category of love and emotional relationships between men and women in a descriptive-analytical way, relying on the theory of Sternberg's love triangle in the two novels "Anna Ahia" and "Adat MiKonim" by these two authors. Review. The result of this article indicates that the cause and effect structure in the emotional connections of these stories is in harmony with Sternberg's pyramid of love theory and the existence of three pillars of love has caused different loves in these two novels. Considering the social conditions in which he has lived, Baalbaki has not been able to create a balance between the pillars of love; He has described more limited romantic relationships, and the lack of an example of ideal love shows his negative view of male-female relationships and the strong patriarchy ruling his society. But Pirzad has a positive view on the subject of love and ideal love has a high frequency in his story compared to other loves.

George Chaccour is a Christian poet who is lovers of Ahl al-Bayt. This love is depicted in some of his works, namely "The Epic of the Prophet "(Malhamat-al-Rasul(PBUH)), "the Epic of Ali"(Malhamat al-Ali (AS)), and "the Epic of Hussein" (Malhamat-al-Hussein(AS)). The book "the Epic of Hussein" was chosen as the corpus of this study. In the poet’s belief, there is a kind of commitment to Lebanon and Palestine, and abhorrence of the old Zionist enemy. This study aims at finding the themes of resistance literature in Chaccour’s poetry, especially the literature of Palestine and Labonan, through an investigation of his Ashura poetry. The features of the movement of Imam Hussein in Chaccour’s poetry are, actually, the same features that he wishes the Palestinians and the Lebanese have. Composing "the Epic of Hussein" and taking the themes of Ashura Movement give him the ability to revive freedom, resistance, dedication, and Fighting against oppression in the youth of Palestine and Lebanon.

Social developments have been reflected in Iranian and Lebanese literature since the beginning of the twentieth century in an especial way, and the poems of Ahmad Shamloo in contemporary Iranian literature and the poems of Abu Mazi in contemporary Lebanese literature have had special importance in terms of reflecting social developments.The present article aims to explain the reflections of social events in Shamloo and AbuMazi’s poetry based on the dominant content theory in Henri Zalamansky's sociology of literature with a descriptive-analytical approach based on the American School of Comparative Literature.The results of the research show that the contemporary social developments in Iran and Lebanon have a clear function in Shamloo and Abu Mazi's poetry and have created common themes in the poetry of these two Iranian and Lebanese poets.The two poets' response to the problems of their society - which, from Zalamansky's point of view, is reflected in various literary forms - is "the struggle for freedom". Shamloo depicts the struggle against the oppression of the Pahlavi regime and Abu Madi depicts the struggle against the oppression of the Ottoman empire.Concepts such as the hardships of immigration, patriotism, criticism of poverty and suffering of the people, complaining about the ruling tyranny, enlightenment and struggle against oppression, freedom-seeking and seeking justice are the social concepts of the poetry of these two poets.

After two world wars in twentieth century and establishment of the Zionist regime in the Middle East, the region could witness entanglement time and again that prepared the ground for war literature with brilliant works in Arabic. Although the works that are connected to war literature and war story have common aspects but the works that deal about the Lebanese civil war, could be able to give a new method to the war literature. In the meantime, female authors have also narrated the apparent and secret aspects of the civil war in their short and long stories where “Hajr al Zohk” is one of its kinds written by Hoda Barakat. In this story, Barakat by putting the hero on the course of events describes a space where smaller events involve a frightful disaster and form a lot of knots in the war texture which involved Lebanese citizens and swallowed them. The current research attempts describe the most important specialties of literary style of the story written by Barakat. The research method is descriptive – analytical and is based on the newest published sources on the Lebanon civil war and the most important result of the research is different usage of the story elements and applying methods such as stream of consciousness, single speech, and inter-contextual in describing the technique by Barakat who could be able to criticize the disaster of Lebanon civil war by developing a critical- descriptive style.

One of the manifestations of resistance literature is story writing, be it a short story or a novel. Lebanon has always been the target of the Zionist attacks Among Muslim countries, and that is why many writers have expressed the bravery and resistance of the Lebanese against their enemies. One such piece is the book “Anaqid-o-al-Atash” written by Ali Hijazi, a collection of short stories regarding the resistance of the Lebanese. The study of this book is important, as the writer has developed a semiotic language in his real stories when referring to this resistance based on the dominant political and social conditions of his society. This Study seeks to answer the following questions: 1-What are the most important symbols used in the stories of “Anaqid-o-Al-Atash? 2- Why has the writer chosen very specific symbols for the Zionist enemy? In the end, It can be conclude that the writer has employed specific animate and inanimate symbols, such as snake, hyena, Satan, scarecrow, etc., in accordance with each arrogant characteristic of the enemy. Also, the writer has used specific symbols to depict the Lebanese resistance and their love of their homeland. The present study aims at discussing and encoding the symbols of resistance in “Anaqid-o-Al-Atash”, while pointing out the main reflections of resistance literature in the writing of this short story collection.