فصلنامه شعر پژوهی (بوستان ادب)
سال هشتم شماره 3 (پیاپی 29، پاییز 1395)

Love is the most important theme in lyric poem( ghazal) that advanced in mystical lyric and love poem and lyric poem become rounded and forward by love. For speaking about love , it is necessary to state relation between lover and beloved.
The beloved is basis and center of love poem and every imagine about beloved, show that how think poet about love and beloved. perhaps we suppose the beloved is described as a type no character, it is correct but no completely in Saeb ghazals we see signs of individualism about beloved in Saeb ghazals.
In this essay will be described face and figure and moral of beloved. Also will state which propertys and characteristic distinct beloved in Saeb ghazals and how much Indian style effect on beloved charactrisation in Saeb ghazals?
It is important that who is beloved ? a man or a woman or it is a symbol?

The distich “To the Lovers, wealth of both worlds as a barleycorn/ That, ‘this’ is little chattel and ‘that’ is plentiful mercy” has been represented with different forms and meanings, listed in Hafez’s correcting texts and descriptive books. In addition to conducting some reviews of such cases, this paper is aimed at offering the correct form and meaning of the distich. It is worth mentioning that exponents have not considered two concerns in describing this distich; first, studying two Quran-based components; ‘little chattel’ and ‘plentiful mercy’ denoting the blessings of this world and the hereafter respectively. On the other hand, regarding the beginning of the second hemistich, the causality conjunction ‘that’, has been taken to signify ‘for’ by majority of exponents and it’s been connoted ‘but’ by a few either. The researcher believes that in the aforementioned distich, the alleged conjunction is an explicative one. This kind of ‘that’ makes an association with its previous word or compound to the proceeding sentence, offering an explanatory interpretation. As Hafiz has frequently used this kind of ‘that’, therefore exploiting such evidential citations, the present paper is trying to reinforce the theory mentioned above.

The nature of mind and the imagination of poets and artists based on their thinking, critical literary and artistic heritage of the place is great. Today, on the basis of decoded text to explore the realm of the imagination. Zhylbr Durand (born 1921) trained imagination and myths of the twentieth century French scholar, he invented the scientific method, a real credit to the imagination for two centuries was denied in the West, is back again.
This article intends to reflect the views of the intellectual analysis of structures fiction story "thirsty from the wall threw a stone into the water" at the beginning of the second book of the Masnavi, turned. Rumi in this tale, depicting the scene where the action (throwing stones and bricks in water) is repeated. The scene is a fantasy. Also according to the reasons that we will explain, it becomes clear that the narrator perspectives to the world of imagination processor, system structures influenced by imagination night.
This system, which is related to structures or anti Frazyk mysterious and dramatic structures or combined with features such as: repeating the dependence of the world and an interactive view of the world he tends to miniaturization and understand the cyclical and characterized

In Persian language and classic poems, there are many different ideas about "sky". While explaining these poems, often they are described as metaphors and metonymies. By considering mythological background of these metaphors, we can achieve that they are not figures of speech. Indeed they refer to Iranian and non-Iranian cultures which appear in modern poems and language. This article aims at searching the origin of "sky" in Iranian texts and Iranian and universal mythologies and investigating them in Persian poems. In order to achieve this purpose, our database is consisted of four Divans of Onsori, Manuchehri, Naser khosro and Masude saad . After studying the different application of the "sky" in the database and comparing them with mythological and historical ideas, it would be clear that all of them reveal ancient thoughts consciously or unconsciously.

Innate human tendency toward self-actualization and perfection, has devoted the big amount of our literature, especially when literature might step into the mystical literature and is mixed with religion, this option is more noticeable. Manteghotteir Attar is one of the most important works that with its theme of self-discovery, has invited the human to less attention to the worldly attachments and attain to perfection, and through this idea, has come close to humanistic psychology. Humanistic psychology, with a particular focus on the human and his positive aspects and relying on the "self" of the individual and the genuineness of humanity, with express the relatively consistent with the mystical Thoughts, has discussed about the self-actualization. In this paper, Manteghotteir has analyzed according to Humanistic psychology and Roger's Theory. In conclusion this matter clarified that also in this prominent work, the router birds in order to arrive to self-actualization and perfection, have presented 5 fundamental characteristics of Roger's Theory.

Whatever is today recognized as Nimaei New poetry is the outcome of thought, change, examination and the series of quasi experimental interactions of Nima Yushij. Everyone knew the poetry "Qoqnous" as the beginning point of developmental form of Nimaei New poem; but the process before the evolution of this type is the research area that we investigated it in this paper. This poetry is the latest long poem of Nima that is composed before "Qoqnous" poetry. Study about the features of Nima language in this poem reveals the forming process of linguistic structures in the works of this innovative poet. The authors have studied language in this poem by analytical method and according to Jakobson linguistics structural method. Study the shows that in some parts of Seqrim Castle poetry, Nima has the modernism tendencies such as interfering in rhyme and rank, special manner in utilization of syntactic structures and using conversational language in poem; but in some aspects such as selection of Mathnavi model and abundant tendency for creating archaic space in 3 levels of word, sentence and narrative, he follows the old poem.

surrounding environment and along the shape, is one of the two main manifestations of object's distinction. Also in literature and poetry language, color is one of the main grounds making image and imagery and one of the most important style elements of poet's poetry and also successful poets inspired concepts hidden in colors to the audience better using this element, in addition to achieving individual style of imagination.
One of the successful contemporary sonneteers who considered visual elements of the style including color in his poems in addition to modernism is Husein Monzavi. In his poems, comprising color words have been used 904 times that of this set more than 60 percent are color words and the rest are non color and gray words. In this paper, the most important colors of Monzavi poems, concepts and phenomena associated with each color have been investigated by an analytical- descriptive method in addition to introducing the use of any color in Monzavi poem's style and color's classification in 16 categories. The finding of this study is that Monzavi in describing the beloved and personal experiences had the greatest innovation in the use of color and in his mystical, religious and endurance poems has been mostly influenced by the style of past or contemporary poets.