مجله مطالعات داستانی
سال چهارم شماره 2 (پیاپی 14، پاییز و زمستان 1395)

The unequal relationship between men and women has always kept power in the hands of men and acknowledged it as men’s right. In addition to accepting it, the women have had to instill this right into the minds of their offspring. A domain in which this inequality is apparent is the violent speech with which women and children, especially the female ones, are addressed. This is, of course, done to bring them up as obedient to the wills of fathers and husbands. The present study aims at investigating male (husband and father) linguistic violence in Rowzane Abi by Akbar Radi and to answers the following two main questions: 1. how does language help the survival of patriarchy? 2. What strategy is mostly used to hide the linguistic violence of the male characters? The results indicate that male linguistic violence is used as a means of helping patriarchy survive and the strategy that is so helpful in this regard is to hide the male linguistic violence.

Analytical method Jeffrey Leech to search for text in the language of a lie, in fact, is a linguistic approach. He believes that the effect of Foregrounding properties within a poet or a writer, and the choices they make the distinction with the various works. Leech in his division, Paranormal in the Classification of two types of language and meaning, that any deviation from the norm language including vocabulary, grammar, writing, dialect, style and time.
in this study using the theory of Leech and incorporating formalism style of literacy features, two Persian novels are studied in a 40 years interval, to findout the their literacy features. The features of these novels in the field of movement according to text literacy scales and employing odd words such as ancient, local and ereating new words are searched. The results show in shazadeh ehtjab, Golshiri utilizes complex Language while Okhovat and Namha and Sayeha novel tends to use a simple style. The both writers have been total to benchmark language words. There is no difference in novating new words in both generation. In comparison between two generations the second generation(2001s) disregards rampant rules in a moderat way than first generation(1961s) to reduce complex and difficult Language.

another one. This mobility happens in two vertical and horizontal methods. The main question of this research is the reflection of social classes’ mobility in persian novel discussed period. The descriptive-analytical research method has been by using library resources and considering the successful samples of these period novels. The result of research shows that noblesse social class, staffs, administrative and urban class has been the highest reflection from 1300 to 1325 in persian novel. In this period, the class difference and unhealthy social mobility are the most important issues raised in the novels. The middle class is emerging and the social mobility is more of a vertical type. Since 1325 to 1350, urban middle social class and especially deprived rural class, workers and farmers have been the highest reflection in novel. During this period, social mobility among middle and deprived classes is often of a horizontal type. In another word, it is shifting in subordinated jobs. For example, we are witnessing rural conversion and landless farmer to urban suburbia. Technical usage of modernity issue in industrial level like using devices such as machines and tractor and in cultural level such as using shoes, hat and European clothes without proper infrastructure and cultural consumption, causes some problems in creation of class difference and social mobility that has reflected and analyzed in novels of this period.

Saray story is one of the popular myths of Azerbaijan in which hero using the power of love made a courageous decision by which she became one of the famous heroes in Azerbaijan culture. Mythology is part of broad knowledge of semiology aim of which is detecting covert ideas in myths and base of culture including beliefs, values and moods of every tribe. This research using Barthes’ semiotics theory (1392), investigated and analyzed Saray story. According to present findings, deliberation on covert mythical elements in underlying layers of this story such as loyalty, courage, chastity, and freedom of its hero who at the end of the story by throwing her body in Arpajay river made herself eternal, was the secret of eternity of Saray story and reflects culture and modes of the people of this region. Also it shows how some believes in the story are strengthened and transcendental and others are weakened and neglected.

Any literary work created. Has it’s own special. Characteristics and of course the others style and method of thoughts and creativity presentation differ according to psychological and intellectual differences. Language story that should be tailored to the audience and the type of story. But this characteristic in Children’s story is accompanied by tangible sensitivity and precision that children’s authors should be very discerning aware. Because children’s fiction as one of the perfect and interesting literary techniques should be understandable and pleasant for its teen and young audience. So, authors of this technic should use some phrases that concept is understood by children. The aim of this article to methods of cross-sectional, styles of writing Kamel-Kilani examine the stories in the sample. Surveys and studies on stories about research shows that the author of repeating Keywords and phrases short and simple and understandable for a clearer conception of the story as well as most of the verbs used these words from past tense to be able to paint the story real and tangible and objective events for the young audience.

The people power of identification with characters of stories is too much. Characters of story are the sameness of people in society and the reader see him/herself in the position of the character when he/she reads the story; so the analyzing characters and heroes is necessary. One of the methods to know better the characters of story is using Onomastic. The writer introduces the characters by using different names and different ways in naming them. Knowing the actor characters in the story, help us to know the inner layer of the work. Also, studying type and motivation of naming characters, whether consciously or unconsciously, can appear the attitudes, thoughts and tendencies of writer. Al Ahmad is one of the famous writers that has different effects on writing story after himself. With regard to his different ideological periods, his story characters are different. Studying elements of story is necessary for better understanding of an event and became closer to universal standard of writing story. Studying characters and even character types and methods of naming them help us to know the purpose of story and reach to the plot. In this research we study Onomastic of characters in the story collection "Setar".