فصلنامه زیبایی شناسی ادبی
سال نهم شماره 38 (زمستان 1397)

Motifs are intrinsic materials that appear in the form of words, phrases, various forms of imagination, and ..., indicating the direction of the poet's or writer's mind. These themes are a central meaning in the poetry, which, by linking their own permeation associations, establishes the structural motifs of the poem. These associated chains provide a suitable area for the imagination of poetic images, and are the center of poetic creativity of every poet. The networks concerned are the result of looking at the poet in a phenomenon or position, and the angle of view of the poet's view and attitude towards a phenomenon or subject is regarded as a poetic tool; therefore, in each period, according to the current different social, political, literary traditions and realities of society are emerging in a hidden and gradual movement, and sometimes they provide the basis for new styles. From the periodic point in which the situational context has played a significant role in the creation of its new motifs and foundations, it has been the constitutional era. The socio-political conditions governing this period brought about a profound transformation of the Iranian society. According to the study, during this period, the main motifs of poetry, both in poetry and in the field of prose, have included many themes such as libertarianism, nationalism and patriotism, revolutionary, people's awakening, Criticizing the unpopular circumstances of the society and ... creating new images in the sustainability literature of that period. These themes were unprecedented in previous periods, while emphasizing meaning, have added to the aesthetic richness of the work. The research method in the current research has been analytical-descriptive.

This study examines the semantic normality in the eight books of Sohrab Sepehri. In the beginning, the writer has begun to explain habitualism, defamiliarization, emphasis, and normativeism, which consists of three categories of semantic, lexical, and temporal normality. Then, he extracted the objective examples of meaningless normality in the poems of Sohrab Sepehri, which included six categories of "simile, symbol, discernment, paradoxical images, new combinations, new images and meanings, hesameism" in eight poetry collections of Sohrab Sepehri's book, entitled " "The death of color, the life of the dreams, the sunrises, the east of sadness, the noise of the feet of water, the passenger, the volume of green," we are no, we look. " Sepehri uses a variety of normative acts more than semantic normality such as diagnosis, symbol, diagnosis, paradoxical representation, images, and new combinations, and hezamization, and uses other types of normality less. The reason for this must be sought in Sohrab's intellectual system, which has an introverted thought. On the one hand, he is seeking to present the mystical concepts and teachings in his poetry, and on the one hand, he rejects any approach to the past, and is always in the beginning and in the future.

One of the methods for recognizing the style and distinguishing between schools is to look at the sketches, among which the likeness of one of the main elements of the plot is in the literature of every nation that many other forms derive from it. From the perspective of the most important aspect of the distinction between literary speech and the other, "likeness" has a special place. The beauty of this image-maker is that it can be said that no verbal owner can be found by this simple element of the imagination without having taken advantage of it and not saying its word. Be Hooshang Ebtehaj (Ehsaseh) is one of the most prominent contemporary poets who has mastered both the poetry and the novels. Although he has been successful in the field of poetry, it can be said that among all the Persian poetry molds, the eagerness of the sonnets, which is a hysterical sonnets, is more than the other molds. In this research, the extent and artistry of the contemporary poet, Hooshang Ebtehaj, has been evaluated and analyzed in a variety of similarities. The results of this research show that despite the poet's tendency towards new poetry, he was skilled in the main characteristics of literature, such as the creation of imaginary imagery and the use of similarity elements.

The purpose of this paper is to examine the process of literary imagery in the domain of poetic imagery, which is one of the fundamental and significant topics in today's rhetoric, to introduce different levels of imagination in the illustrations depicted in the poems of Malekal and Sharabi. The fundamental issue of this article, which the writer seeks to answer, is the quality of the appearance of the illustrious poetic images of the spring from the point of view of his imagination and his perceptual levels, passing through the superficial layers of their imagination into the inner and deep layers and displaying the poet's abilities in the field of imagination and art Illustration. In this regard, after introducing different layers of image in two areas of surface image and image, it is concluded that the complexity of the visual network in the spring poetry is directly related to his mental network, so that the various levels of these images gradually become one of their lightweight features. GetsThe purpose of this paper is to examine the process of literary imagery in the domain of poetic imagery, which is one of the fundamental and significant topics in today's rhetoric, to introduce different levels of imagination in the illustrations depicted in the poems of Malekal and Sharabi. The fundamental issue of this article, which the writer seeks to answer, is the quality of the appearance of the illustrious poetic images of the spring from the point of view of his imagination and his perceptual levels, passing through the superficial layers of their imagination into the inner and deep layers and displaying the poet's abilities in the field of imagination and art Illustration. In this regard, after introducing different layers of image in two areas of surface image and image, it is concluded that the complexity of the visual network in the spring poetry is directly related to his mental network, so that the various levels of these images gradually become one of their lightweight features.

The literary school of Russian formalism (figurative or figurative) is one of the most well known literary criticism schools that are always of paramount importance to the form or form of literary work. In the literary sense, it is meant to create a coherent and adornable structure in relation to other elementsSo all the components of a text, such as literary ornaments, linguistic elements, musical instruments, and in a word, all elements that create the texture and the structure of the essence and effect of the effect, are referred to as the form or form. The equation model is one of the literary ornaments used in the style of Hindi style Ghazalat, in particular, Kalim Kashani, Creative Alamani S.Indian.The equation is an independent bit, in which a poet expresses mental thought and in the second manifests an example of nature and objects to prove his claims, and equates it with his own mental claim.Fashions equation, Drghzlyat Kalim Kashani, one of the tools that has led to the visualization and image style, one of the elements of form or form of poetry Semitism, constitute.In this essay, in this essay, the form and form of the equation model are criticized in the Kalam Kāshani dialect, based on the principles of literary school of formalism.

Music and poetry are tied together in different ways. Contrary to the group's opinion that poetry music only depends on its vascular weight, each poem can be examined from four musical dimensions. The outer music, which is the weights of the coronary arteries, the side music, which is the same as the rhyme and rhyme, is the inner music which is the most important poem music, and in fact is the set of harmony that emerged through the similarities and differences between consonants and vowels. It comes with poetry from the verbal industry, and spiritual music is a poem about the spiritual industry. Poetry music provokes the prominence of the word. Therefore, the present paper deals with the descriptive-analytical method based on library studies, while defining aesthetics from the viewpoint of intellectuals and generalizations about it, examines the musical elements of Fayyad Lahiji's poems, relying on inner and spiritual music. And about 10 verbal and 8 spiritual industries.