نشریه مطالعات دفاع مقدس
سال چهارم شماره 4 (پیاپی 16، زمستان 1397)

So far, the great phenomenon of holy defense is not so much in the field of science and methodology. And the study of this subject can be the starting point for new scientific movements. Certainly, production of knowledge from a phenomenon called holy defense without engaging researchers with the dimensions of this phenomenon will not be possible. And of course, the association of academic methodologists and researchers, with the agents of the Holy Defense domain, can lead to scientific complementarities in this area. In this paper, by reviewing the abstract of 100 research and scientific-promotional articles, the methodological dimensions of these articles were identified and classified. To this end, it is possible to depict the state of the past on holy defense research, and, on the other hand, make suggestions to improve the research methods of this field in order to create scientific works.The final results of this study show that past research has been carried out in 16 axes, and their methodological values can be categorized in 9 main dimensions and 29 sub-dimensions. At the end of the article, conclusions and suggestions regarding the use of various research methods in the Holy Defense Studies are presented.

Characters are inseparable parts of Holey defence memories. We tend to remember them more than places, operations and events. It seems like character is the most effective and permanent part of wars narrative. This dissertation studies characterization in “holy defence” animation series to define aspects of characterization and its relationship with narrative structure. This dissertation studies holey defence series –Shoja’an directed and written by Siavash Zarrinabadi, Hamsangaran directed by Samad Gholamzadeh and Written by Kourosh Karami & Legend of a brave Directed by Mahmoud Soltanpour and Co Written by him & Mansoureh Anvari- based on structuralist narratology, and theories developed by Culler, Prince and specially Seymour Chatman to seek weakness and disadvantages of characterization in those series. This is a descriptive-applied research with qualitive outcomes. The results suggest that prevalence of story events and narrator’s ideological attitude over characters and bringing the idealized character in the center of narrative has made the narrative structure less sufficient for characterization, which leads to more superficial, dull and passive characters.

study the Extent of Justice in the Testimony of Imposed War MartyrsThe purpose of this study was to investigate the approach of martyrs imposed on justice to their wills. In this article, the main aspects of justice in the area of thought of martyrs are examined by content analysis method. Based on the findings of the research, Most of the martyrs' statements were devoted to their wills in the area of political justice and its main components. Also, a large volume of topics in the field of economic justice is shown in the wills of the martyrs, They were deeply concerned about economic justice, and the clear example was the fair distribution of wealth, along with the support of poor sections of society. In the area of social justice, the establishment of justice in the Islamic society, the promise of good and forbidding merits and the choice of committed professionals were the most important component of the martyrs.

The art of theatre in our country is known as an imported phenomenon. Moreover, as a discoursal phenomenon, it has always enacted a significant role in the growth and sublimity of human culture. War as a destructive phenomenon, that has accompanied humans since the beginning of their creation, has a massive influence on social, economic, and cultural fields, creating significant changes in human behavior, culture, and manner. After the beginning of the imposed war in Iran, Iranian theatre -backed by religious and revolutionary beliefs, the culture of resistance, and national unity - started a new path. “Theatre of holy defense” is a phenomenon resulted by eight-year-old imposed war. An event that is both created by war and at the service of it. Both influenced by it and influencing its goals, approaches, and strategies. This research seeks to investigate interactions of war and theatre in Iran and the services they have presented to each other. It attempts to study the relation between the phenomenon of war and the notion of "national theatre." to reach this goal, data collection been conducted through both archival and field studies. In archival study we are confronted by the following sources:Written sources, pictorial sources، and acoustic sources. After gathering the given data, the field method has been applied (conversation with some of the playwrights and those involved in the area of resistance theatre). Eventually, after applying utilizing a qualitative methoud with Descriptive – analytic approach on the gathered data, the findings and conclusions are presented.

Documents made about sacred defense have characteristics that set it apart from other documentaries. It is characteristic of displaying the human characters that we see every day in our daily lives. Like the heroes of Western films, they do not have unparalleled combat skills. It is through this that the most prominent aspect of the "sacred defense documentary" are the characters and the warriors present. The focus of this article will be on this sacred defense feature. The method of this article is descriptive and analytical and attempts to achieve its goal by studying case studies of documentaries, including the documentaries of martyr Avini, until a film from the early nineties on sacred defense. The results show that the documentarians strive to emphasize the same characteristic of ordinary people who participated in the war with different jobs and positions, in addition to emphasizing and encouraging participation in the war, as well as being coercive and defensive. Emphasize the sacred defense. Focusing more on being defensive of war makes participation in war a humane, patriotic and religious task. On the other hand, the mission that Avini himself and his stylistic followers reflect on the presence of warriors on the battlefield considers his filmmaking to be in line with the work of the prophets and divinities. The pictured man is also, of course, different from that of the human being, and of Westernized philosophy.