نشریه زبان و ادب فارسی
پیاپی 41 (زمستان 1398)

 The mysterious poetry, which is a mirror in the mysterious and mysterious of Maulana, has always been regarded as open and interpretable texts due to semantic complexities and linguistic art, and has been spoken about in various perspectives. Ancient criticism A literary model of the psychological critique that has flourished in recent decades, as in other interdisciplinary studies. This article, which examines the ancient themes and themes of the paternal pattern in the human body, offers the way for the next literary works and illustrates the universality of the human message and the feelings of art poets such as Rumi. In this study, with the view of the Yang psychoanalysis school, from the old perspective, a pattern has been addressed to the Rumi poetry world, and has been addressed to the eloquent and repetitive personality of the court in his court. Comparison of the faces with the ancient pattern of Pierre Farzaneh Yong represents a very similar Or even his complete adaptation to that ancient image.

In this descriptive-analytical method, this paper attempts to introduce the methods and functions of expressive emphasis in the discourse of Hafez's Ghazalat. Emphasis is one of the mechanisms of language that is created in different ways and in different ways and has various rhetorical functions. Emphasizing the emphasis on the meaning of the text helps to better translate the thoughts and thoughts of the speaker. Emphasis is considered as one of the language mechanisms in the context of the "contingent role" and "emotional role" of the language. These roles, respectively, are "audience-focused" and "speaker-oriented" roles that seek to convey thoughts in the text to the audience and express the feelings of the speaker. Each language user uses specific methods to sharpen their words based on the idea and purpose of expressing a subject. Semantic spheres emphasized in the textual context of Hafez Ghazalat are limited to the three strands of "God, Man and Love," but unlike the limitations of these spheres, methods and expressions of emphasis in these poems are diverse and varied. Among these methods, types of repetitions, various methods of confinement and palace, the use of emphasis constraints, quandary and question sentences, imperfect verbs, high degree of certainty, pseudo-immemorial, action verbs, facial verbs, calligraphy, displacement Significant syntactic components of sentences, sentences and delayed vocabulary are more frequent than other methods. The findings of the research show that Hafez used the emphasis in two direct ways "addressed to a particular audience" and indirectly "without considering a particular audience"...

Discourse is a term used for examples of language usage and how it affects the audience, including the language of communication, or larger linguistic units such as interviews, conversations, texts, etc. Therefore, discourse manifests in a variety of forms. Sometimes it manifests as a lecture, sometimes a novel, and sometimes as a play or script, and the like. With this mission of discourse, it appears that in some of the texts, especially novels, two or more types of discourse can be distinguished due to the circumstances and the type of sentence structure. The present descriptive-analytical study tried to first define the discourse and then to examine dramatic discourse with respect to the stylistic characteristics of the novel of Hiccup Moments by Ahmad Akbarpour. The findings indicate that the obvious style of the novel is satyre and is structurally close to a play or screenplay, so that if the author has chosen the play and screenplay forms instead of the novel to express his ideology, he would have been still successful.

Native elements of Isfahan's story writing in the works of Bahram Sadeghi and Houshang Golshiri abstract: Writers from the city of Isfahan have common features in their works. These common features are not limited to the climatic context, but include a set of identity elements that represent commonalities in terms of language, thought, geography, economics, ethics, customs, and beliefs. This article has explored the structure of fictional works by two prominent representatives of the Isfahan school of thought, Bahram Sadeqi and Houshang Golshiri, and derived their unifying and linguistic common features. The result is that these structures are in some cases such as humorous and spurred imagery, different technique and form in the word, specific characterizations, horrific and indeterminate spaces, initiations and sudden events, spin on the angle of view and reversal in narration, conversations and low descriptions, attention The mythology and ancient history and texts, rare subjects and modern names, and simple prose and poetry, are analyzed. Keywords: Native Elements, Isfahan School, Bahram Sadeghi, Houshang Golshiri, Fiction.

An analysis with the "intertextuality" approach examines the communication of a text with other texts. The main purpose of this research is to compare the application of love from the perspective of Rumi and Hegel based on the Qur'an. Love is a matter which philosophers, mystics and scholars have long sought to understand and understand its nature, and is one of the most important issues that all mystics and philosophers have spoken about and talked about. They consider love as the basis of the universe, through which all creatures move from one to the highest in the movement and towards the root of love, the essence of God. Maulana and Hegel are two leading thinkers of two very different time frames that express the various aspects of love and play a central role in their works and writings. The main question of this essay is that what is most striking in terms of the love of Rumi's works and the works of Hegel? In this research with a descriptive-analytical approach, first, explain the love and then describe its examples, referring to the verses of the Quran, from Masnavi and Hegel's works. Finally, it was concluded that what is on the path to the knowledge and comprehension of the human soul by relying on pure love is the most important point in the opinion of these two thinkers.

Marzbannameh has played an important role in the history of Iranian civilization and Islamic societies. This book focuses on human and community attitudes in traditional society. Most of Marzbannameh's stories are allegorical and animalistic. The main reason for using animal characters is probably political and social content. Borderline stories illustrate the function of power in societies. By analyzing the anecdote, one can examine the structure of political culture and its impact on individual and social behaviors. The prevailing political culture in society is related to human relations. In this anecdote, the allegorical characters are the successor characters, that is, the animal is the successor to the thinking, the mood, and the intended concepts of the author and narrator. In this study, the lion, as a symbol of power, is at the top of the pyramid of power, and the force that causes the lion to occupy such a position is his power, power, and dominance over others. The ruler or ruler in the hierarchy of power must delegate duties and responsibilities to persons who have the competence, competence, and ability to perform those tasks, and are not disruptive of order and security as they enter the lion's court. From the educational point of view, we can also mention the losses of the oppression and the consequence of the oppressors of the oppressors of the foregoing and the impatient extremists who seek to preserve their lives, their political position and their status.

Beyhaqi Abolfazl, the famous secretary of Ghaznavi period, has left a book that is worthy of study and review after successive centuries. He in addition to expression of historical points, amazes readers in analyzing of details and describing of psychological states. So, to find concrete examples of the types of personality in psychology in this book is very convenient. In this paper, characterics of figures of Beyhaqi,s history, based on the Five factor models of Robert McCrae and Paul Costa, is studied. The statistical population of this search is Bayhaqi,s history. After reviewing the characterics of figures in this papers, is presented examples for each of the five personality types, neurosis, extraversion, openness, agreeableness and conscientiousness. Although, this comparing is proportional and some figures have the charactericsties several personality types all together and their traits in various environmental conditions, but, finally, the dominant personality type of figures has been specified.

In this paper, we first gather the contents of the library through the views of Islamic and non-Islamic philosophers and scholars on death. Then, by analyzing the content and comparing these theories with the Qur'an and the traditions, it is revealed that the fear of death causes human tendency to immortality. Therefore, people's responses to death vary depending on whether or not they believe in life after death. The greater the awareness of death, the less fear of death. This desire reflects the eternal reality of man and shows that there is an eternal and immortal life in the creation world. The scriptures, and above all the Quran, the traditions of the Ascension, the works of philosophers and mystics, poets and writers, each expressing this immortality in Islamic and non-Islamic texts. Death is an existential affair and transfer from one world to another. The disappearance of the fear of death does not mean that this fear will never exist. This fear, if temperate, guarantees one's health and avoids the dangers they face on a daily basis. According to philosophers and scientists, reforming attitudes toward death and reducing worldly attachments greatly reduces the fear of death. The acceptance of immortality and the posthumous worlds by Western and Islamic scholars and the inspiration for the Qur'an has largely solved the fear of death problem, helping to refine human attitudes about death.