نشریه پژوهش های ادبیات تطبیقی
سال هشتم شماره 2 (پیاپی 24، تابستان 1399)

Although the history of comparative literature in Jordan has not been synonymous with other Arab countries, including Egypt, but it offers another example of the development of comparative literature in the Arab world; Jordanian adapters first examined the relationships between the influences of Arabic literature and other nations, especially the West. Therefore, the studies of the first period focused more on the axis of traditional and past literature, in particular poetry. With the advent of modernism, comparative research in Jordan has entered a new phase. The adapters sought to discover the extent to which Arabic literatures were influenced by the developments in world literature and Western liberation movements.  Attention to other branches of literature along with poetry; stories and plays are among the features of the comparative research of this period. With the rise of nationalism and pan-Arabism, as well as criticizing the methods and views of former colonial countries in the world, the Jordanian adopter found that the insistence on the origin of the literary work was no longer desirable and worthy of comparative literature. Consequently, Postmodernist comparative studies have been stepped up to Jordan's comparative studies. This article, with a descriptive-analytical approach, aims to depict the history of the development of comparative literature in Jordan in the period of comparative studies of traditional works, comparative studies of the literature of the modern age and comparative-cultural studies of the literature of the postmodern period, the developments of this knowledge in Analyze this Arab country.

Death" is the inevitable event of all humans. Some put it into oblivion, and some epistemologically accept it as reality and certainty. Investigating and analyzing the narratives of the two tyrannical, powerful and bloodthirsty characters in stories of Ferdowsi and Albert Camus and how they deal with their own and others' deaths is the main issue of this study. Caligula and Zahhak, who saw themselves as the absolute commander of the life and property of human, believed that they could also control death, trying to rid themselves of the fear of death by killing others, but nature faced with the phenomenon of death. How Ferdowsi (representing Islamic scholars) and Albert Camus (representing Existentialism) deal with the events of the story illuminates the philosophy of life and death from the standpoint of two thinkers in the East and the West. Both officials, after gaining power, commence unprecedented oppression and killing. Like all people in the world, they are scared to death and want to seize the power of nature to kill humans by killing them. Killing is the only way to combat the fear of death. The fate of both characters is similar, and eventually they are ousted from power due to murder and bloodshed against both rebels

The reception is one of the new theories, which has opened a new way in comparative studies over the recent decades. This theory, post by Hans Robert Jauss, returns the readers' role to themselves and insists on it. In as much as in this theory the reception of an author is considered in a foreign country, the reception of Christian Bobin, contemporary French author, is going to be considered in this article. By preparing a list of his translated books in Iran and their analysis by using the concept of Horizon of expectation, we will understand that there is no contradiction between the Iranians' expectations and Bobin's books. The influence of religious texts and using the themes like nature, love and childhood agree with their literary taste and play a role in the reception of this French author.

Comparative study of critical theories of contemporary Arab and Iranian poets can have a unique part in literary analysis. In general, new poetic critical theories are under the influence of the intellectual origins of contemporary German and French philosophies. Adonis and Shafiei Kadkani are two influential critic poets who have discussed poetic concepts and components in their critical articles and books with specific tact. The present study was a descriptive-analytical investigation into analyzing critical views of these two poets based on American school of comparative approach in the fields of definition of poetry, and language and music of poetry. The results of the study showed that the two critics have common intellectual foundations; therefore, they have some similar critical viewpoints. However, their critical approaches are different in terms of both methodology and intellectual depth. Compared to Shafiei Kadkani, Adonis has a deeper, more organized, and more daring view toward poetic categories and poetic language.

The book One Thousand and One Nights is among the most important ancient books of fable and parable which has been of interest for a long time and various translation of which exist. There are two main translations of the book to Persian, the first by Abdollatif Tasuji and the second by Ebrahim Eghlidi. Comparing the two translations reveals difference in the opening and closing of the book, story-telling techniques, orientation of though and faith, and the sequence and title of the stories. The choice of original principal texts the translators based their translations on can be considered as the most important reason for such differences. The original principal text for Tasuji was apparently Bulaq’s 1st ed., while Eghlidi based on his translation of Bualq’s 2nd ed., Calcutta’s ed., and Burslaw’s ed. Eghlidi also drew on the French and English translations of One Thousand and One Nights. Another reason for such a difference was the different approach of the translators towards the stories. Tasuji has tried to include the main plot of the stories and has not paid much attention to the setting in his translation, while Eghlidi has paid close attention to descriptions in his translation, resulting in lengthier stories and differences with Tasuji’s translation.

World literature is a reaction against unfulfillment and diminished satisfaction hereby national literature to be existed so. The vivid fulfillment is a solid world people and hidden one is a superiority and national excess as a matched hope of aims in this way. A solvtion of result is a coefficency among world literates to be gained by colture instrument beside of language and literature.
Goetheś aspects in this view of world literature is a reaction of thoughts, aims and events through his days of life hence, those are many and much continuously canged. The essay to be fronted is trying to survey these Goetheś aspects towards world literature and his demands fulfilled from world literature as his situation to be matched by borders and know how to be accomplished

Abstract Adaptive literature is one of the areas of study that has recently attracted the attention of researchers. By comparative study of works, one can reach the emotions, emotions, thoughts, and common concerns among poets and writers all over the world. With the prevalence of translation and travel to Europe, the poetry of European poets has had a great impact on our contemporary poetry. Among these European poets are T. Salliot, Paul E. Lumber, Andrea Burton, Louis Aragon and others. Ahmad Shamloo has written Aida's poetry in his own time under the influence of Eliza's poetry in the Aragón Ayman. Therefore, this essay is based on the analytical-descriptive library resources to the influence of Shamloo of Aragon and the study of virtual images in describing the beloved in the poetry of both poets. The result is that Shamloo, in the composition of Aida in the mirror, considers the poetry of Elza in the mirror of Aragon and other French poets and uses his images and words and his thoughts, but his poetry from the boundaries of the house and the village to the alley , The city expands and more socially than Aragon.