نشریه تحقیقات تمثیلی در زبان و ادب فارسی
پیاپی 43 (بهار 1399)

Madan Aldorar is a trace in the description of 'Hajji Nasser al-Din Omar Morshdi's benevolence, manners and statements who was the major Sufi lived in eighth and first half of nineenth centuries AH. This book had written by his cousin and fans Shamsodin Mohammad Badro_din Solaiman Morshdi according to book documents intercession and traditional narrations in the year 869 AH in the form of mystical prose.This opus corrected and published by Aref Noshahi and Moien Nezami at 1383 in Tehran by Kazeronie puplishing. The importance of Madan Aldorar is in improvement the Sufism history, Sufi literature, geografic issues,historical, language cognition and indigenous dialects,knowing gentels and  beauty of rumor. In this book allegories and figuratives has been used to convey and emphasize the meaning and content to redears.An allegory is a short description of ancestors experiences that have become popular among people and found in Persian literary texts.In this article ,to illustrate the style of the author's word and his tendency we are going to retrieve a "Some figuratives and allegories in Madan Aldorar" according to terms, meaning, tune and rumor.Findings the research  shows that the allegories are composed by his nature,and the most of them had generated from some major Sufi's verses,statements and Hadith,as we read .

The masterpieces of literature are as prismatic as the prism that we look at each side we see a range of colors and new world in it. The symbols and parables used in spiritual masnavi are also. It is written out of a different perspective, and it has a strange vision, as much as his vision and vision. symbols and parables are widely used in mystical works, which analysis and analysis leads to the opening of many nodes and ambiguities in the literature. The aim of this study is to examine the stands of symbols and symbols in Rumi's masnavi more relying on animals and animals, and by determining the place, what is the views of Mawlana on them? And each of these stories, the mystery and the symbols. the method of this study is descriptive and analytical and based on library research.

Language is a set of signs, causes, and effects that make a particular cohesion, the foundation of literary creation, and the provider of new thoughts. Ferdowsi speaks of myth and mystery in some of Shahnameh`s stories, such as Ardeshir`s story and Karam Haftdad, which is presented in allegorical and different way. In addition to analyzing linguistic roles and communication model, this study examines the hidden codes and symbols in the story.Because of the coded allegories in the story, the main role of meta- language is that the main purpose of this study to understand and receive abstract messages and identify important secondary historical, social, and political meanings that have been codified. Understanding the new category of allegorical and symbolic works at the height of the epic and the kind of teaching that is also reported in historical stories.Finally, we find that Jacobson`s linguistic roles are appropriate for understanding the effect of coding, persuasion, and referral messages.

Every literary author uses literary and lingual techniques in the creation of her/ his work that leads to its beauty and rhetoric. Using literary and lingual techniques not only has a significant role in underlining the language of the work, but also, transforms it in to the authors' or poet's style which can be discovered through the analysis. Ahmad Reza Ahmadi, a modernist poet, in a collection of his works, has created allegories for children and adolescents with a double functions: on the one hand, they provoke the readers to read for pleasure; on the other hand, draw the readers' attention to the deep structure of the text. In this investigation which uses descriptive interpretive-content first of all, the techniques of allegorizing are considered in all those paper boats and then the created allegories in the mentioned book are interpreted. It is concluded that this book is replete with various allegories manifested in the words, sentences, and even the whole text that multiply the pleasure of reading. It also demonstrates that Ahmad Reza Ahmadi's allegories, the frequencies of which are orderly observed in the words, sentences and the whole text, are meaningfully related to the surface structure, also adding that, the minor symbols like the color, the time and the nature's constituents have greatly contributed to the creation of the major allegory.

Psychological analysis of literary works and the creators of these works is one of the new methods of critique and research in Persian literature. Accordingly, in this paper, the components of satisfaction in Fereydoun Moshiri's poems based on Erickson's personality development theory with a symbolic and allegorical approach are examined. This research, in addition to clarifying the forms of satisfaction in Moshiri's poetry, also reveals the extent to which he has succeeded in applying the arrays of symbolism and allegory. Attention to the origin of symbols and the type of allegories is another issue that has been considered in this article. According to Erickson's theory, inner satisfaction is formed in the shadow of fruitfulness and hope. The manifestations of these two components in Moshiri's poems are seen in the form of positive personality traits, such as a sense of responsibility, love, struggle against ignorance and violence, avoidance of regret and despair, etc., and more in the form of symbolic and allegorical forms. The symbols used in Moshiri's poems are often taken from nature, and allegories are mostly used to express intellectual and human concepts.

One of the purposes of applying allegory in words is induction of religious, mystical and moral thoughts. So, the Sufis texts are full of all kinds of allegories. The Sufis, although, have benefited from allegories to express religious concepts and issues, but according to some definitions of some religious, they haven't used this efficient linguistic element. One of the terms, which is used in almost every mystical test, is monotheism. Because the Sufis have defined monotheism in the non-analogy and lack of allegory of God to something, they have never used allegory to define and explain this term. The authors of present speech have sought to express the views of Sufis on allegory analytically and descriptively. Therefore, they have gone to the great works of this way means Ghashiri, Mohammad Ghazali, Eyn Al Ghozat Hamdani, Suhrawardi, and Roozbehan Bagli to know how much they have agreed to iuse the allegory. They sometimes make allegory necessary and sometimes contrary to certainty.