فصلنامه دراسات الادب المعاصر
سال سیزدهم شماره 2 (پیاپی 50، صیف 2021)

Holy Quran, as a heavenly book, affects every soul in which seeks hope and domestication and searches for holes of hope in general; you seek the Romantic poet in particular is not excluded from it. This must be shown in the ideas and actions of this romantic Anais manifestations of the impact that the book. Also, Abu al-Qasim al-Shabbi was born in a family full of Quranic light, because he chose the Qur’an as a sitting for himself and was able to finish his memorization, and he was influenced by him in his behavior in his social life and the path of his thinking which was affected, as he took his style as a style for some of what he sought from the Roman poetry that is The contents of most of his poetry are far from the Qur’anic teachings and are generally opposed to them, which the reader may touch in his verses and content. Based on the descriptive analytical approach, this article aims to search for aspects and features of the direction of the Qur’an, the thought of the poet, in addition to the extent of hatred of the poet, vices, and his desirability of morals and moral merits, especially during his poems in which he touched on the people and the country and to extract what in the verses of the poet from the contents of their contents We show more clearly that manh.....

The first collection of Maqamah, which makesno pretense of being factual and has a hero, belongs to Badiozaman al-Hamadani(1008). Many literary figures and distinguished authors followed al-Hamadani’s style including al-Hariri (1122) in Arabic literature and Hamidi(1163) in Persian literature.This article is an attempt to investigate the maincause behind the spread of Maqamah writing in Arabic literature from earlydays of its creation till the present time and the reasons behind its limitedgrowth in Persian literature.Results show that the most significant reasonbehind the spread of Maqamah in Arabic literature is that Arab scholars likedand appreciated Maqamah very much and traced al-Hamadaniand al-Hariri’sfootsteps.Such a thing did not take place in Persian literature as picaresquestories in Maqamah displayed confusing constructions and were basically about rouges and beggars, which does not comply with the Iranian mind set and thenature of Persian literature.That’s why Hamidi’s effort in writing Maqamah isconsidered to be the first and the last of its kind.

Nazik al-Malaika and Mohammad Hussein Shahriyar are two great and pioneering poets in contemporary Persian and Arabic literature. Among the poets who have a lot in common with Shahriyar's thoughts is Nazik al-Malaika from Iraq. Like Shahriar, after the defeat of a love that has seen displacement and confusion, he has reached true love, and in the corners of exile and grief, he has written the love story in the highest place, and indeed it has become heavenly.The spirit of oppression and altruism and justice and the expression of social pain are rippling through the poems of both poets. It creates roles, awakens and unravels the oppression of oppressed and oppressed nations. Like the prince of suffering and the social sufferings of his homeland, Nazik al-Malaika considers Iraq one by one, feels responsible, and best describes this feeling in his poems. . Undoubtedly, the penetrating and miraculous language of Mohammad Hossein Shahriyar in creating dramatic and happy stories of his life is so attractive and sweet that it is safe to say that none of his contemporaries will match him. Socio-political poems, his love poems and his pieces and poems, especially Turkish Shahriar, are expressed in an attractive and emotional way that expresses the nostalgia of the poet's childhood to the highest level and all poets and speakers in Turkish and Persian literature. And it makes the literature of other nations of the world different.

A prominent feature of Abu Ali Farsi is his high interest in Quranic sciences, especially Quranic readings and he relies more on the Qur'an than on other sources in explaining his views. So that the Qur'an and its readings are the main source of his syntactic, rhetorical and lexical views. Abu Ali interprets the Qur'an with the Qur'an and his views are based on Qur'anic analogy and interpretation. Abu Ali's great attention to the Holy Qur'an led to the emergence of unique syntactic, rhetorical and lexical views by him, so that it seems that he had a great influence on literary criticism and the emergence of some old and new critical theories. herefore, in this article, an attempt has been made to study the method and extent of his influence on literary criticism and some critical theories using the descriptive-analytical method, syntactic and rhetorical thought of Abu Ali Farsi. The results of the research showed the obvious influence of syntactic, rhetorical and lexical views of Abu Ali Farsi in literary criticism and it also showed that views emerged by Abu Ali Farsi that contributed greatly to the richness of literary criticism after him and contributed to the emergence of new critical theories under new headings such as theory of perception and hermeneutics. We can see the roots and concepts of some critical theories in his syntactic, rhetorical and lexical views. As Abu Ali, with his views inspired by the Holy Quran,.

This paper conducts a semantic study in Hatem Al-Ta'i's poetry. After a glance at the semantics and semantic fields and an urgent look at Hatem's life, we studied each term that denotes the meaning of generosity and spending money to earn the praise of God and the people in his poetry. We have tried, in all research topics, to deal with Hatem's poetry in an analytical manner, since we find that the analysis can reveal to us the most accurate details of matters and clarify for us the truth of the relationship between these words which indicate the meaning of generosity and money spending. The method that we adopt is the descriptive one and it is no secret that in order to accurately describe, we must analyze in depth to clarify the image of the description by observing its most accurate features, and our goal of this research was only to reveal to us these latent and hidden relationships that wander during these words and their role in poetry By extracting the terms of this semantic field such as sacrifice, generosity, breach, giving, virtue, generosity, dew, graces, gift and ..., and studying these expressions and their semantic relationships with other words, we made a semantic analysis of Hatem al- Ta'i's’s poetry, and in the end we clarified all the structures, terms and metaphors that are used. In this field, which indicates the meanings of the possession of generosity in the poetry of our generous and generous poet.

Bahram Bayzavi is a writer of the best plays, a brilliant figure in Persian prose, a theater and film director, and a lover of Iranian culture and civilization, as he used the myths, folklore, popular literature and oral literature in the best ways in his plays. His plays are of great importance due to the many implication he made from these ancient corkscrews. It can be said that Bayzavi, in turn, continues Ferdowsi's way of re-reading and reformulating history, myths and epics, and he inspired his plays, whether in the form of plays or in the form of scenarios, from ancient sources. This article attempts to classify the main roots of the play with Bayzavi through a “reading-oriented” criticism method in a descriptive and analytical manner, in order to conclude with a suitable summary of the sources of the author’s play, the author’s special treatment, and the approach to dealing with these roots. The result shows that Bahram Baidawi does not deal with a specific period of history, but in his works many historical implications can be seen such as the mythical history, the epic, Ashura, and the history of Iran before and after Islam. In most of these readings, he linked his works to contemporary currents and ideas.