فصلنامه عصر آدینه
پیاپی 29 (بهار و تابستان 1398)

From a narrative perspective, the actions of the characters can be analyzed in three stages: primary equilibrium, imbalance and secondary equilibrium. This means that the initial equilibrium gradually disappears and the imbalance intensifies as the critical situation intensifies. The imbalance continues and intensifies, and eventually reaches a secondary equilibrium with the action of the character. When the critical position and the action of the character are at a higher existential level, the same amount of sacred action is formed. The action of Imam Hussein in the event of Ashura is the most sacred human action, which, along with the issue of the advent of Hazrat Mahdi, form the most fundamental concepts in Shiite thought. This research seeks to answer the question that what does the action of Imam Hussein pilgrims in watching the Arbaeen walk have to do with the advent of the Promised One and Hazrat Mahdi? The results of this article show that the action of the pilgrims on the Arbaeen walk is spectacular at a higher level of existence due to the holy character of Imam Hussein, with all the ups and downs of the journey. Therefore, the more spectacular the action of the Arbaeen pilgrims, the more they will be known on a large and global scale

The image of any imagination, description, fantasy, and highted statement place the addressee in special atmosphere. The Islamic revolution of Iran and its succeding events left great and deep impact on the Islamic poets’ imagination and style which can clearly be seen in their fantasy and imagery. The isalmic orientation and its point of view towards Islamic, Religeous, and revolutionary poetry basics; novel images, new artistic zones in speech related to them appeared which were missing before. Among the poetic images with Mahdaviat meanings and its corresponding artistic modes enjoyed outstanding significance. Gheisar Aminpour whose ideosyncratice feature of his speech was endowed with devotion to Islamic Revolution and its objectives, has delicately designed waiting and its exemplification in his poetry. The authors of this article using descriptive-analytic approach and deploying library search have dealt with the central image of Mahdaviat and its role in revoltionary poetic images (case study: Gheisar Aminpour Poetry)

propagate the mysterious teachings of Jesus Christ, including being completely God and completely man, the mystery of the Incarnation, the Trinity, and the Resurrection. In the modern world, a phenomenon like cinema tends to make everything as spectacular and accessible as possible. Since the Bible was the best-selling book of all time, Jesus Christ was the most popular and well-known figure in the history of cinema. With the advent of Jesus Christ into cinema, theology has challenged these imageries with cinema, and many films have provoked reactions of churches and the religious communities. The secularization and de-sanctification of the character of Jesus Christ, the portrayal of Jesus as an ordinary human being who sometimes even doubts his mission, is nervous and withdrawn, and has very little power to communicate with his apostles and people, are among the illustrations that the church Has been evaluated in contrast to the Bible. On the contrary, some believe that presenting the image of Jesus Christ, despite all the difficulties it has brought to the filmmaker and actor, has been very useful in introducing Christ to the modern audience. The films lead the audience to a "double view", a view beyond and deeper than what the image offers, and its purpose is to attract the audience to the theology behind these images

Sheikh Baha'i has been one of the great Shiite scholars and has various specialties. He has a literary taste in Persian and Arabic poetry. Sheikh has used this rich taste to introduce the Imam of the Age and explain the teachings of Mahdaviat. He composed a long ode (Madhul ,Keram)”praise of Dears” in Arabic describing the Imams and dedicated the final part to Imam Mahdi. In this part of his poem, he has referred to the wide dimensions of Imamate and leadership of Imam Mahdi in the field of creation and legislation that  include such things as the evolutionary Imamate and the authoritative owner of the universe, the position of leadership and legislative guidance of human beings, the authority of the Imam and his superiority over all peoples. He then compared the position of Imam Mahdi with the apparent authorities of the world. This research seeks to prove this vastness and explain it by the method of library collection and content analysis, so that the performance of this great Shiite scholar in considering this subject can be a model for other poets about the Mahdi

One of the most important issues of Mahdism that has manifested in the minds of poets is the issue of waiting for the reappearance of the Imam, which is discussed with various interpretations and interpretations among those waiting for the Imam.  They have been able to describe the image of Hazrat Mahdi (as) well in this great mission. In this study, citing evidence from the poems of these two poets in a descriptive-analytical manner, a comparative study of the appearance of Imam Mahdi in contemporary Persian and Arabic poetry has been conducted.  That is, the poems of limitation are tied to religious culture in a transnational form, such as the etiquette of waiting (human beings waiting, crying, praying, praying and waiting for justice). Establishing justice.  For this purpose, first the divan of these two poets explores and then examines all the existing themes related to the concept of Mahdism in terms of content, while this concept in the poetry of Mullah Hassan Arani with detailed descriptions of details and beautiful elements.  knowing  Has found an artistic format

While praying to God and offering devotion and sincerity to the presence of Imam of the Time and the Authority of the Periods, Mahdavi prayers and pilgrimages are solid documents for knowing more and deeper about the personality of Imam of the Time and the issues related to him such as Absence, waiting and reappearance. In the present research, in a problem-oriented style, with the library method in a descriptive-analytical manner, after pointing to generalities, it has been stated that: In the formal element, the topics of conversation, emotion, image, and music are discussed in prayer in which five steps of emotion stimulation, readiness, identity, excitement, and evaluation are expressed in the element of emotion; two vertical and horizontal axes are discussed in structural element; The main thought in the intellectual element is to know and understand the Friend of God in the society and the most important issue is familiarity with the core of human happiness and guidance and lack of knowledge and deviation in knowing the right path of life lead to misguidance in religion and life