نشریه تحقیقات تمثیلی در زبان و ادب فارسی
پیاپی 54 (زمستان 1401)

The story of Joseph the prophet has been particularly paid attention to in Nizari Quhistani’s book of poem. The research question of this study is going to explore how the component parts and characters of this story are dealt with allegorically and used to express the mystical, religious, moral, and philosophical thoughts of poet. Another posed question of this study deals with the allegories used by Nizari to express the story of Joseph and the trajectory according which the story is explained. A book titled Kashf o lasrar by Abolfazl Meibodi and an article titled Esharat Erfani dar Dastane Hazrat Yousef are used as literature review. The significance of this study is emanated from Nizari’s special attention to the great story of Joseph from mystical and allegorical viewpoint. The current study attempts to discover the allegorical position of this story in Nizari’s book of poem and also to elaborate on the component parts of the story of Joseph in a framework of mystical literature. The descriptive and analytical methodology, by using library sources, are used to develop our research project. After note taking about any single part and character, they are categorized and analyzed. Finally, regarding to the features of allegorical approach, the researcher investigate the component parts and characters in the framework of mystical literature. The findings of this study shows that Hakim Nizari had a mystical view on the story of Joseph and all characters and elements of the story are used symbolically and allegorically.

Using allegories in poetry and utilizing them in literary texts is among the factors that boost the aesthetics of literary works and the quality of literary originality in texts. Due to the literary position and influence of Hossain Monzavi on contemporary ghazals and poets, the need to investigate his poetry seemed pressing. The present study aimed to investigate how various types of allegories were utilized in Monzavi’s ghazals, and, based on the obtained evidence, it was shown that the literary figures of speech occupied a special position in his poetry. As the nature of the figure of speech depends on previously-known texts, tales, and poems, it, consequently, does not have much space for creativity and innovation. Thus, Monzavi has just been able to be innovative on rare occasions, including the manner of conceptually utilizing the allegories. A number of articles were found on Hossain Monzavi’s poetry and thought, but no study was conducted to focus on “allegories in Monzavi’s ghazals”. The present study used a descriptive-analytical methodology to investigate the following questions: “How much did Monzavi pay attention to and utilize various types of allegories, and how much was his creativity in utilizing poetic allegories?”

The great master and poet of Qahestan region, Hakim Nazari, with the help of his gentle soul, powerful thought, thoughtful mind and inspired by the spiritual worlds and the inner world, reflected his tender and subtle feelings in the form of sonnets. In addition to creating lofty and deep themes, the poet has achieved all kinds of literary tricks and tricks due to the need of the listener and embellishing the words. One of the aspects of Nizari's rhetoric and depictions is allegory and its sub-branches. The aim of the upcoming research is to investigate love, one of the most central mystical experiences of the poet with an allegorical approach, which the writer has analyzed in a documentary and library way and in a descriptive and analytical way. The main question is, what purpose did the poet of Qahestan follow from the use of allegory and its sub-branches? The findings of the research indicate that the poet used allegory as the most efficient way of similes to reveal complex meanings, especially his mystical experiences, and sometimes mentioned multiple allegories for the same meaning, and the purpose of that was to clarify the various dimensions of that meaning. . In his allegories in the realm of love, Nazari used more tangible and sensual personalities and images and created novel themes.Keywords: Nizari Qahestani, Ghazal, image creation, allegory, love

. The study of reflection of literary elites thoughts has an effective way of evolving people public opinions by expression's art. The analysis of short stories based on the figure of speech used in them, in addition to receiving the delicacies of the role of the language element, appears as a dynamic phenomenon in the political and social conditions of its time. An article with the subject and title of social allegory analysis has not been found in stories and articles, but with the general title of fictional allegory; two scientific documents have been written in articles and dissertations. To write the article has been used sources such as books, literary sites and related articles. The research method in this article is based on descriptive-analytical method. First, there is a summary of the selected short stories, and then some of the allegories used are analyzed by content. Wherever the audience of popular literary works is people, more tangible and smooth type of literature such as allegory is usually used.

One of the most used methods in educational and moral teachings is the use of allegory. Poets and writers have always tried to convey rational, mental, and abstract concepts to their readers and audiences effectively and efficiently with the help of allegory. Indian-style poets used it in their writings considerably. What has also made a tremendous impact in educational literature, is the use of allegory to teach ethics and give advice. Nemat Khan Aali Shirazi was a famous poet of the Indian court in the 11th and 12th centuries of Hijri. And because it is necessary to examine the use of allegory, and its various functions in a literary work, the purpose of this research is to study the use of allegory in Nemat Khan Aali's poems to express moral concepts. In this research, we are looking for the answer to the role of allegory in Nemat Khan Aali's poems. And which of the types of allegory has he used more to express moral concepts? And how successful he has been? Although many books and articles have been written about allegory and its use in poets' divans, so far no article has been published about the use of allegory in Nemat Khan Aali's poems. This research has been done in library-style and case-study methods and has a descriptive-analytical approach. Based on the findings of this research, among the types of short (descriptive) allegories, he has paid more attention to allegorical similes and equation styles.

One of the influential poets in Persian literature is Forough Farrokhzad. Due to the dominance of his idealistic poetry in contrast to idealistic poetry, his poetry has shifted to a kind of democratic poetry. Careful analysis of his poems shows the metamorphosis and metamorphosis of his poems from a kind of taste hermeneutics to a kind of philosophical hermeneutics. The purpose of this study is to show the allegorical forms in Forough Farrokhzad's poems. This research has been done by descriptive-analytical method and by examining the revelation of allegorical aspects of animus in Forough Farrokhzad's poems.Based on this research, it is determined what are the examples of animus that Forough Farrokhzad has used in his poems and what effect each of them has had on the expression of his thoughts.The authors of this research have found allegorical images of animus in Forough Farrokhzad's poems in coherent places and in different forms such as myths, religious ceremonies, dreams and personal imaginations, etc.