نشریه مطالعات میان رشته ای تمدنی انقلاب اسلامی
سال سوم شماره 3 (پیاپی 11، پاییز 1403)

The identity and personality of the city is defined by the manifestation of the city's special indicators. The lack of identity in today's views and urban context is caused by the incorrect use of western models. It is necessary to identify the identity patterns of Islamic architecture and present them to architects and designers to solve this crisis. This research was carried out with the aim of identifying the identity elements of the facades of the houses of the old style of Qom. This research was done with descriptive and analytical methods and field observations. With the help of library texts, the analysis of the abundance of identity elements in the facades of houses of the old texture of Qom, quantitative data has been transformed into qualitative data. At the beginning of the research, the theoretical foundations and the components affecting it have been defined. Then, the elements of the facades of the houses were checked and a questionnaire was prepared from 20 architects with the Delphi method, and these elements were weighted by the AHP method. The houses have been divided into two sections, upper and lower houses, and 4 houses have been examined in each category. In upper houses, 73.21% and in lower houses 64.28% of the identity elements of Islamic culture. The obtained result shows that the old context of Qom is more in harmony with the values of Islamic culture. These results support the help of relevant institutions in order to improve the identity of the urban facade.

Art has a high place in religious thought. Religion has always benefited from art to explain its various aspects, and art has also been influenced by religious principles and concepts and has grown in the light of this benefit; Therefore, there is a bond between religion and art. Religion and religious art provide the natural and spiritual needs of man, therefore, both of them are co-born and symbiotic. The field of fundamentals of religious art suffers from a vacuum in the field of theoretical literature. One of these areas is the anthropological foundations of art in religious education.The present research examines the role of natural matters in art and its effect on the content knowledge of education using an analytical-documentary method, and investigates the main question, what are the functions of natural matters of religious art in theological education? The results of the analysis The data showed that natural things such as truth-seeking, beauty, worship and creativity have their own meaning in the field of religious art in the field of theological education.The result of the basis of natural things in the content and form of art will be the birth of the concept of religious art and the creation of magnificent works of art, and through that the learning experience will be realized and the lifestyle of the teacher will be changed in a more permanent way. In addition, the basis of the natural affairs of religious art is useful in the evaluation of works of art, and it makes us unnecessary to use western principles in art criticism. The mentioned functions lead us to the prominent role of religious art in Islamic-Iranian and even global civilization

Islamic civilization needs tools and propellants to maintain and grow. In the meantime, government institutions and government executives in the Islamic Revolution system are the main tools that play a fundamental role in human societies in order to realize and preserve civilization. Creating social order, creating security and a sense of power, which is one of the components of civilization in the Islamic system, is entrusted to the military and law enforcement institutions. For a deep understanding of these components and the irreplaceable role of this institution in the civilization of the Islamic Revolution; The words of Ali (peace be upon him), who were the leader of the Islamic government, should be considered as one of the original sources of Islam. Therefore, the purpose of this article is to examine the characteristics of the commanders of the military and law enforcement forces in the Islamic government, which tries to explore the civilizational and revolutionary merits of the military force in various fields with a descriptive-analytical method to be one of the drivers of Islamic civilization based on the theory of Amir al-Momenin in the letter 53 Nahj al-Balagheh should be taken into consideration.

One of the critical areas of Islamic civilization is women's rights. Women's rights have been recognized in Islamic civilization before and more than any other civilization, and this way of asserting rights has become a model for many current human rights charters. Therefore, the process of socialization in the Islamic world based on sharing women in various issues has a long history, and accordingly, the purpose of this research is to analyze the process of civilized society in the Islamic world based on women's rights. The research method of this research is qualitative and documents in which the researcher examines and analyzes authentic research documents such as verses and narrations as the basis of civilization in Islam and based on the use of the verses of the Holy Quran, narrations and hadiths as well as interpretations related to this Verses and narrations, results and interpretations are provided. The findings of this study have shown that Islamic civilization, as one of the oldest and most reliable approaches, has always had a positive view of women's rights in various fields. Documentary review of women's rights in Islamic Sharia shows that Islamic civilization is the source of women's rights and based on the approaches governing this civilization which is based on Quran and Sharia, Islam gives political, social, economic and scientific rights to women and reciprocally these rights cause civilized society in has become Islam