مجله عرفانیات در ادب فارسی (ادب و عرفان)
پیاپی 11 (تابستان 1391)

Ancient Aryans believed in two types of power, honesty and regularity,and dishonesty and irregularity. This idea was popularized by Zoroastrianism and included all being and its components and events. Zoroastrian innovations was a very important factor in the ancient gods, falling down and being driven to dishonesty and irregularity.A number of driven gods from godhood world , had entered epics and played the role of and sometimes prctagonist. Most of Shahnameh, deals with war between honesty and dishonesty that always terminated by victory of honesty against dishonesty. Regarding importance of this historical literary work and the importance of its miniatures this article has attempted to study common literary and miniatures of dishonesty symbols in Shahnameh based on Tahmasebi’s shahnameh.

Moreover, in the valuable book of "Alloma'a", the work of Abu Nasr Sarraj Toosi (Tavoos Alfoghara'a) ,as one of authentic and ancient sources of Islamic Sufism, we also see that "Sama'a" has been discussed in two separate places as one of the most reliable categories in the religion domain in a way that it has wholly covered Chapter 10 of the mentioned book. In this research, we have studied the stances of two Islamic and Iranian distinguished scholars on "Sama'a" in two distinct ages.

Although speeking about celestial ascension of the latest prophet is possible, but it seems so difficult. A travel as if has happened in a universe beyond time and place. Ascension is the story of traveling of mankind to the celestial world, a mankind who is the best creature of the universe, and God the creator of being, after his creation, named himself with this adjective: “the best of creators”. A person who is surprising and two dimentional, from the one hand is celestial and from the other hand telluric, and continuously wishes to return to his original origin, because he belongs to another world. The Persian poets who have particularly concerned the subject of heavenly ascension. have offered their own intellectual beliefs and exalted thoughts in the form of agreeable poems using enormous talent, understanding and religious beliefs and the influence of the Holy Koran. We also attempt to show some of the various effects of heavenly ascension on the Persian poem for much familiarity with the Persian poet’s thoughts, beliefs and insights about this divine miracle.

The purpose of this paper is firstly to show that dreams are not futile, because they are fed from a noble and ancient source on the one hand, and come from a mythical time and on the other hand. They are having a spiritual color and they are valuable. So unlike vulgar imaginations, dreams are not meaningless and futile. But the dreams are full of moral values ​​and teachings. And also dreams have effects on different functions, including changing the character, views, and consequently dreams change the life principles. Secondly, it is shown that, depending on the dreams, the concepts of them are different. If the dream is the Azghas Ahlam type, various factors are involved in creating and shaping it, so it can be the reflection of daily activities. If your sleep is a kind of Sadegheh, then there is surely interpretation of it. And the purpose of dream is beyond its the formation and carries a message from the unconscious that necessarily assign duties to us. In this article it has also been shown that the distortion and individual inter pretation of dream do not change the truth of it.

Monzavi is a one of the main innovators of new Lyric considering the values, outstanding and unique capabilities of classical poetry, he has ornamented his poetry with the techniques and delicacies of the modern Poetry. In composing his sonnet, he has used the techniques and innovations which distinguish the appearance of tradional Lyricisin and created lyric poem in a new Way of singing. This article intends to review innovations and special features of his poems

Shams Al-Din Mohammad Shirazi is one of the famous poets in the Persian literature. He has been known as the leading poet of Iran, especially in the recent half century. Undcubtedly, Hafez’s work is one of the unparalled ancient literary monuments of Iran that stands out to gether with other Persian verse and prose texts such as Ferdowsi’s shahnameh, Sa’di’s works, Moulana’s couplets and sonnets as well as Nezami’s Khamseh-that are the pillars of Iranian ethnicity and nationality- among the world’s ancient literature. Hafez’s ontological seeking and attitude, in some centuries ago, have been so souns, Vigor, and unified that give way for further sociological, philosophicas, and literary studies in the work of this great Persian poet, In the present article, using analytical-descriptive method. And via a different angle of vision, Hafez’s sonnets have been analyzed relying on Islamic art focusing on the five categories of Quranic verse attitude, praising attitude, justice in being system, an ideal picture of the eternal world, utopia, and the place of human in the pure Islamic Gnosticism.

Theosophy is a deep sense of God in humble person inside and submitting to Him and adoration to Him heartedly. Sanaei and Molavi are of the greatest theosophists and fascinated by the devine love. Sanaei is the father of theosophical literature in Persian poem that for the first time has compounded theosophical purports with slangy culture and allegorical tales and has presented most of the teachings of Sufism with a beautiful expressions and Molana is a lovelorn pious highborn, and humble person who was a slave of love and left his liberty and sang a pauper song for many years. This paper is purposed to study the common terms of theosophy (including love, doom, perpetuity, inducement and attempt, manifestation, pantheism, scare and hope, observation and amour). In Sanaei’s Hadiqat-ol-haqiqeh and Aflaki’s Manaqeb-ol-Arefin.

Utopia" or "My City" and the inverted world of the "anti-utopia" or what is sometimes known as "city of evil" and "Hell Town" brand name, always as one of the concerns of the thinkers, Literary men and poets has been present in literary texts. This article reviews the concept of "utopia" and "anti-utopia" in, two of the modern contemporary poets, "Sohrab Sepehri" and "Tahere. Safarzadeh" deals. To do this, first the explanation of these two words and a history of their presence in the texts of different nations have been dealt with. That we have analyzed the poems of Sohrab Sepehri regarding the idea of searching for utopia, and continued to deal with anti-utopia in Late Tahere Saffarzadeh’s Poems. The final purpose of the article has been an indirect glance at the similarities and differences between the favorite world of the two poets.