Analyzing the Place of Transcendental Thinking in the Beauty and Emergence of Islamic Art

Islamic art, based on its commitment to show beauty in the fluid bed of its own and the audience's thinking, should not be reduced to a false level and the expression of empty emotions, and it is necessary to correct its process based on the use of unitary principles in order to produce works of art appropriate to contemporary intellectual crises. Taking advantage of the concepts of "descending course of the names of Allah", "the relationship between form and meaning in the work of art" and "the truth of beauty and beauty" in theological texts related to the topic and redefining the values and finding the meaning of the influence of the monotheistic and Islamic worldview in order to introduce attention, can lead the thinking of Islamic art to create sublime art.

The present research is of a qualitative type and using library tools and under the content analysis approach, it has investigated the philosophical, mystical and literary texts available in the sources of Islamic art and tried to identify common monotheistic propositions in line with the topic.

In Islamic thinking, the artist is a mediator in expressing God's beauty, which shows the act of art as the continuity of the relationship between the creator and the created, and as a multiplicity of attributes and diverse manifestations of the manifestation of the names of Allah in endogenous and exogenous reality. This creativity, which is indebted to the divine creation and the exploratory intuition of the artist, is manifested in the connection of form and content with various artistic formats, and owes its origin to the concept of divine unity.