Imagology of aragonian feminism

In this article, Louis Aragon is introduced as a contemporary feminist poet and writer; A poet who engaged simultaneously and identically in the two phenomena, Feminism and Resistance, during the World War II. He, unlike those who consider women as limits to the power of the battlers, praises women in all his works. He explicitly declares that it has been his beloved who has granted him the spirit and vigor to resist and continueliving within the war. His themes, styles and examples and, in fact, the major parts of his works are full of Elsa’s feminine presence. There commences and continues a movement, from Elsa to the France, traversing the evocation of other feminine figures, images of beauty and magnificence of culture. Aragon has attributed to the France too, all the values he had primarily dedicated to his beloved, as an adorable and lively feminine character. Love, herein, finds a dual aspect. This is the manner of a French poetwriter,who, initiating the Poetry of the Resistance through adopting an implied style so as to seem legal against its contemporary censorship ambiance plays a brilliant role within the war. He impliedly praises France, which is frustrated by the war and summons up his compatriots to save their common love, their homeland, France; which is, per se, well realized in the emblematic eyes of Elsa, his beloved woman.