احسان رونق

Contemporary architecture of Islamic countries as one of the common seasons of these countries, has always felt the lack of discourse between traditional and modern approaches to creating space in the design. So todaychr('39')s architecture has always been looking for creativity in the design process to make up for this shortage. Using the digital approach to redefining the process can help. In addition to beauty, decorations in Islamic architecture are the induction of concepts such as order and existential unity that are seen in the form of geometric and abstract motifs. Also, in Islamic teachings and the Holy Quran, a concept such as unity in multiplicity has been mentioned a lot. Redefining this concept with a digital approach to Islamic architecture decorations could be a new discourse between a traditional and a modern approach. In This study examine the role of digital approach in the manifestation of Islamic architectural decoration in the design process inspired by the teachings of the Holy Quran.

The research method that used in this study is "logical reasoning", using "analytical-descriptive" approaches with a qualitative approach.

The digital approach based on Bottom to Up method and focusing on the three areas of patterning and generative pattern, algorithm-coding, and digital fabrication redefine Islamic architectural decorations by changing the basic parameters and produces new patterns.

The fields of digital approach can design and produce Islamic teachings such as unity in multiplicity with geometric mathematical foundations in Islamic architectural decoration.

 Decorative and geometrical experiences are an integral part of Iranian art and traditional architecture in the Islamic era, which has provoked the acclaim of many pundits in this area. One of the challenges of contemporary Islamic architecture is the lack of discourse between traditional and modern approaches to create geometry and new forms.

The purpose of this study will be to produce 3D geometric decoration based on the principles of Gestalt aesthetics so that these forms will be shaped by sound frequencies resulting from the reading of the Quran at the different tunes.

To achieve the desired goals through library and field studies, firstly, recognition and classification of the Quran tunes, then examining the relationship between parametric architecture and music, has been used to analyze them from descriptive-analytical research methods. then, the modeling methods and pattern deformation based on the principles of Gestalt aesthetics have been studied. finally, three-dimensional geometric patterns are mapped into a computer simulation method with Rhino software and Grasshopper plugin based on audio input from the Quran.The result of this study indicated that the mathematical relationship between parametric architecture and Iranian music can be used to create unique –dimensional shells, coordinate with valuable features of context-based architecture.

Mathematical language can be used as a link between parametric architecture and musical tunes used in the reading of the Quran. Also, 3D shells which are produced with the Islamic architecture approach can play an applied role in the beautification of the urban highways.