عزیز زیلابی

The Islamic Revolution of Iran has a profound impact on all social, political, economic and cultural domains, especially literature. The literature of the Islamic Revolution was more than ever influenced by Islamic teachings, especially by Shiite religious models. The epic dimension of the great event of Ashura, which is considered to be the most important and fundamental dimension, is unfortunately rarely reflected in the history of ritual and Ashura poetry and the epic approach, which was considered a missing link in the history of Ashura poetry in Persian literature, was revived suddenly after the Islamic Revolution, and the messages of Ashura in the Ashura poetry of the Revolution fell in the focus of attention of poets and became a basic and widely used approach. Most of the poets of the Revolution use epic themes extensively and with high frequency in their poems. The epic approach in the ritual and Ashurapoetry of the Revolution has unique features and characteristics such as the victory of blood over the sword, non-peacefulness against the oppressors, the continuation of Ashura, the epic view of death and the preference of honorable death over living with humiliation and welcoming the Red Death and so on. This article has been written in a descriptive-analytical manner with references to the famous poets of the Islamic Revolution. Due to the wide reflection of Ashura and ritual poetry in Persian language and literature, the literary community extremely needs more serious.

Style is the expression of a writer or poet. The term is currently used to refer to methods studying literature analytically through the use of linguistic techniques and concepts. It also determines the angle of view, linguistic issues, how to characterize and how to orient thetheme. Ritual poetry is a form of committed poetry that has a completely religious nature in terms of meaning and content and originates from the revelatory teachings, the culture of Etrat and Wilayah and the history of Islam. Religious ceremonies, praise of religious figures, attention to sacred and heavenly categories, and human self-cultivation and self-purification are at the core of religious poetry.Since stylistics is a tool for recognizing the poet"s human, scientific, literary and ideological identity, this paper uses a descriptive-analytical procedure to investigate obvious stylistic features of Post-Revolutionary Poets such as Kaiser Aminpour,SamanHarati, Ali MoallemDamghani,Ali MousaviGarmaroodi, Seyed Hassan Hosseini and Alireza Qazveh.

This paper has been written based on library studies in a descriptive-analytical manner.

Paying attention to internal music, giving prominence to ideas and concepts, using the marked vocabularies, fluency and simplicity, eloquent elements artistically, making pictures of imagination and emotion, paying attention to addressee-centered and meanings, emphasizing on religious, revolutionary, humane and ideal concepts are among the stylistic features ofRevolutionary Poets.

The results show that these poetshave used all the possibilities of poetry to explain their religious ideas and based on these ideas and the Alavi, Hosseini and Ashurathemes, they can be called conceptualist poets. A look at the literary and linguistic aspects of their poetry shows these poets know the literary and linguistic standards of the past and present and wherever they deem appropriate, they use them to increase their wordinfluence.

The composite poem "With Neizeh Caravan" by AlirezaGhazveh is one of the most famous poems in contemporary religious literature. While creating an epic poem, the poet describes mostly the goals and consequences of the event and talks about the factors leading to its occurrence, making it a platform for expressing the concepts of freedom, defending rights, and resisting tyranny. At the structurelevel, its rhymes, rows, and word choice are all chosen for that purpose. The themes of his poetry also refer to this event as a great revolution.Paying attention to internal music, giving prominence to ideas and concepts, using the marked vocabularies, fluency and simplicity, eloquent elements artistically, making pictures of imagination and emotion, paying attention to addressee -centered and meanings, emphasizing on religious, revolutionary , humane and ideal concepts are among the features of his poetry style.Since stylistics is a tool for recognizing the poet's human, scientific, literary and ideological identity, this paper uses a descriptive-analytical procedure to investigate obvious stylistic features of the poet's Ashoraee composite based on layering stylistics. The results show the poet uses all the possibilities of poetry to explain his religious ideas and based on these ideas and Alavi, Hosseini and Ashurathemes, he can be called a conceptualist poet. A look at the literary and linguistic aspects of Ghazveh's poetry shows the poet knows the literary and linguistic standards of the past and present and wherever he deems appropriate, heuses them to add to his wordinfluence.