arezoo broomandi

Hakim Nizami Ganjavi (535-595 Hijri) was a 6th-century poet located in Aran, the land of Ravadi and Shadadi Kurds.He was the originator of Khamsa, which is abundantly imitated by various poets of different centuries.His expression is strong and well thought-out, which has put him amongst the brightest minds in Persian literature.From an artistic point of view, he gravitates towards Metaphors.The usage of Metaphors in Khamsa is a remarkable characteristic of his genre which has caused the researchers to neglect other aspects of his poetic expression.In this article, the author has taken a descriptive-analytical approach while using the available references to study the reflection of the Quran in Makhzan al-Asrar’s Exquisite devices.The results suggest that Nizami has heavily used literal elegancies in this case as well.It is especially seen in the magical way that he has linked Quran verses with figures of speech, which makes distinguishing the two require great precision

Thanks to modern literary theories, critical approaches will help the critics to appreciate and explore a literary work. The practice of traditional literary criticisms was based on incorporating the intentions and biographical context of the author, while the modern literary theories provide the critics with different lenses allowing the critics to consider literary works based on certain assumptions within that school of theory and yield to new conclusions. Morphology of stories is one of those approached addressing the literary work (fiction) in a structured way and attempts to analyze the story on the basis of the roles of the characters and the movements in it. Using the descriptive method based on content analysis technique, library sources, and applying Vladimir Prop’s morphological theory, this paper aims to investigate the story of Mem û Zîn (Mem and Zin) by Ahmad Khani (1650– 1706) based on the story of Mam and Zayn by Mohammad Saeed Ramazan bouti. The findings demonstrate that the story of Mem and Zin has 21 functions out of 31 functions of Props and has two main and minor stories. The main story comprises of 6 moves and the minor one has 3 moves. The sequences of the functions, especially in the initial seven functions are not observed, and some of them appear in the middle and late stages of the story. There are also 13 characters in the main story and 7 characters in the minor story appearing in the following personae: Hero, Helper, Villain, False Hero and Donor.

Language is a mediation or media that the world opens its own sake, language is not the only object in our hands, but the preservation of the tradition and the interfaces which we exist with it and we can understand ourselves. The influence of language on us is such that we are not able to find out the effects .Our interpretation of the world is only linguistic infect language is the real pattern of our limited. Language has always surrounded us Gadamer calls the moment of understanding development as the moment of coincidence, the moment when the interpreter's language becomes intertwined and merged and a common language emerges, Gadamer confronts our text so meaningless that we forget the role of language. As a poet and aristologist, Rumi has spoken more than other people about the language and the poetry, and his understanding of the result is that it is not only because he is a poet, but because he was inevitably a mystic of love. He forced to explain his experiences and his results the results of this research, based on the descriptive-analytical of the library data and the documentary method, show that Rumi is consistent with the hermeneutical theory of Georg Gadamer's understanding of language as unable stuff for transferring the understanding.