behroz romiani

The main issue of this paper is the comparison of the image in the poems of Nima and Forough Farrokhzad from the perspective of the romantic image. The romantic image of the epistemological and aesthetic nature is fundamentally different from the classical, symbolic, and surrealistic. The author has tried to explain the nature of the romantic image in three parts: in the first part, explains the special features of romantic imagery with the discussion of four characteristics: transformation in nature, shadow of the image, dynamics, and individuality in the image. In the second section, the relationship between the images and the position of the image in the context of the poem is examined by two characteristics of continuity and maturity. The paper is based on a descriptive-analytical method based on a library method.

History of Persian literature especially on topic of experience poem, different styles. This style which is expressive method of compose of poem on Iran after Islam, on each period, become specified by especial name .On this way, styles like khorasani,  Hendi, Bazgasht and contemporary introduced as main styles  and Azarbayjani and Vasoukht styles introduced as  auxiliary or medium styles. According this theories, poem of Safavi period introduce with name Hendi style or according insistence number of knowledgeable, with name Isfahani style.
On this literary style, we see especial style characteristics, but this theory isn't  meaning that on all of poems of this period, we can see such characteristics, perhaps on praise poem of Safavie period which hardly welcomed by government , considered kind of poem which show different style   characteristics. So on this article we resort to study stylistics characteristics. Characteristics of This poem that are expressive existence two synchronic literary styles on one period because this way of compose of poem; means praise poem of Safavie poem is new and of coerce wasn't followed on next period.

One of the most important mystical ideas that have been common among mystics for a long time and have been expressed in different ways is the subject of the unity of existence. This idea of monotheism, influenced by Muslims' belief in the oneness of God, has existed in the words of mystics since the beginning, and traces of this type of thinking can be seen in the texts of mystic poetry and prose. In the works of Ibn Arabi, this topic becomes a theory under the title of "unity of existence". In his works, Ibn Arabi explained the theory of the unity of existence and explained and expanded it. This subject has been widely discussed in mystical works after Ibn Arabi with terms such as "unity", "multiplicity", "unity in plurality", "multiplicity in unity", "unity of intuition" etc. Mystics and poets following Ibn Arabi's ideas, after him, have tried to explain this issue in their works and have turned to allegory to explain this topic. Asiri Lahiji is one of the commentators of Ibn Arabi's thoughts. The unity of existence is one of the most important themes of his works. He has used various similes to explain his thoughts of existential unity. In this research, we intend to analyze the allegories of the unity of existence in the works of Asiri Lahiji with the descriptive-analytical method and library tools. The purpose of the research is to answer the question of how the unity of existence is expressed in Asiri's thought .

Because love has an abstract meaning; Mystics have used sensory and tangible elements to explain and describe it, and have used metaphorical language for it. However, the subject of love has been the focus of poets and writers in all eras and times; But in the Iraqi style in terms of the importance and credibility of the works written and written about love; It has more prominence. One of the famous and famous madmen of the seventh century is the generalities of Shams Tabrizi by Maulana Jalaluddin Mohammad Balkhi. This work is linguistically more poetic and metaphorical and is mystical in meaning. Rumi in the generalities of the sun, according to the culture and ideologies that ruled the society of that time, has a special perception of love. This court also has a coherent foundation that is the result of metaphorical networks formed on the basis of one or more main common or individual metaphors in them. This research, which is a descriptive-analytical method and library tools, seeks to investigate the metaphorical systems of love in the generalities of Shams Tabrizi based on metaphorical theory. The results of the research indicate that the metaphors of the beloved in this work actually show the similarity between the beloved and God and the three metaphorical depictions of God's love, God is the beloved, God is love, is.

Religious tendency influenced and would so on literature and cultural texts a lot. On the scope of Persian language، we can see part of these changes. Change of Iranian religious tendency، of Tasannon to Shia’، make many difference on literature text. Like the symbol of justice that belongs to Omar-Ibn-e-khattab، until Safavie period، translate to Ali-Ibn-e-abitaleb (AS). Nahj-ol-balagha، Imam Ali''s (AS) valuable book، affects on this change of view a lot. Why، the representation of that justice is more than anywhere in this book. The establishment of justice and equity in all their dimentions of theught can be observed، the truth that authenticity of justice to this great Imam (AS) approved.