mehrnoosh sakenyandehkordi

This descriptive-experimental article uses the fabric to design a sticker for the environmental graphics of Imam Javad University of Yazd-Iran. In these designs, eachetched forms induced a special concept and vitalizing the objects is important in these cases. On the other hand, the psychology of colors has been used to design them. Theorganizational color of the university was usedin choosing the colorsin order to make more accordance between the stickers andthe university environment. The book is used as the main elementin the designs due totheinseparable choice of science and books. The final work was presented in the form of five designs, each designed with reasoning.

Clothing is one of the divine blessings and gifts that are in harmony with the spiritual and physical characteristics of human beings. Hence, man is naturally inclined to it. Iranian Islamic clothing is a category that is rarely seen on the body of an Iranian Muslim woman. This article defines the style ofpostmodernism and also examines the relationship and effects of this art style with design, fashion and clothing. So, the connection between postmodernism and Islamic art was specifically mentioned. Then, Iranian-Islamic mantles were designed with a postmodernist approach and itwas tried to provide mantles that are a combination of all these. On the other hand, due to the coating of the mantle, silver nanoparticles were used to prevent the growth of bacteria, and the results showed that the use of this material can have a positive effect on the antibacterial property of the mantle.

The present study investigated the effects and protective role of masks and gloves as part of the design of job uniforms to prevent the occurrence and spread of Covid - 19 virus using the antibacterial properties of raw cotton samples made of nanomaterials. Since there was no research on the specific fashion of job clothing design and mode for masks and gloves, this research is innovative in this domain. In conducting this researc h, both quantitative and qualitative methods were used for data collection. The experiments and the method of their analysis were quantitative and special designs were completed for the mask and gloves, which were presented in a qualitative method. In this thesis, the antimicrobial productivity of cotton samples in reducing a common species of Gram - positive Staphylococcus aureus, the source of eye, skin, bone, and joint infections, was investigated. The results of antibacterial activity of raw cotton sample s supplemented with nanomaterials indicated that the raw fabrics have no microbial properties and in the treated samples the percentage of bacterial reduction for gram - positive bacteria Staphylococcus aureus was calculated to be 97.1%. Finally, the researc h findings showed that the design and production of protective fabric face masks and gloves suitable for jobs with this method can bring about a drastic change in the clothing industry.

Handicrafts are part of the national arts and crafts of Iran, which in addition to economic production aspects, reflects national culture and values, as well as creativity and philosophical insights andartistic tastes of ethnic groups living in any part of the country. In other words, handicrafts and traditional indigenous arts related to handicrafts, in addition to the economic aspect, express the social history of societies and represent the ethnic cultures and arts of the Iranian people. For many people, the concept of handicrafts and what the handicrafts are called, and where the artistic, cultural and economic values of this part of national activity lie, may not be clear, but it is important to note that today, in many countries of the world, even in the most industrialized countries, the economic activity of handicrafts is considered as a basic source for the production of goods, especially export goods, and an important means of creating employment, exports, and so on. In this article, a review of handicrafts and clothing of the people of Sistan and Baluchistan has been studied and the handicrafts and clothing of this people have been studied.

There are two major Hellenic and Oriental tendencies in party art. In addition, the gradual transformation of Greek thought under the influence of the East can be discerned. Sassanid art is a sign of ethnic effort and taste, whose culture and art follow the Achaemenid and Parthian art. This art embodies the principles of Iranian aesthetics, which inherits the arts of early Asia. Making Rhytonis one of the most interesting and valuable examples of Iranian art and expresses the creative spirit and inherent genius of Iranians. Rhytonsare animal drinking vessels, some with one mouth and some with two or more openings for liquids to enter and leave, used for drinking liquids at banquets, court ceremonies, and ceremonies. Drinking from such cups has symbolicallymeant the transfer of living vital force to man. By examiningthe achievements of the ancient Iranians, the possibility of recognizing and understanding their mental concepts as well as the type of social and cultural life of the societies of that time becomes clear to us. Based on this, it was decided to study the unique form, role and composition of a small number of Rhytonsof the Parthian and Sassanid periods. The early Parthian rites were influenced by Greek and Hellenic culture, but gradually the national tendencies of the Iranian tribes emerged in them, while the early Sassanid rites were influenced by the Achaemenids, but the influence of Parthian and Roman art can’tbe denied.

his article examines the color position and dyeing of textiles in Iran during different time period. In this research, observing the past dyeing methods and awareness to today's chemical and industrial dyeing, an attempt has been made to producecolor shades using nanomaterials. Inthis research, copper/silver nanoparticles were purchasedfrom Sigma Aldrich Company and using chemical methods two orange-red and brown colored shades was created on cotton fabric. The results showedthe success of colors created. Considering the nature of the materials used, it can be stated that these colors do not have any side effects on the environment

This paper on designing circus performers’ costume, has been written based on a play in which animals costumes are used instead of the real animals in order to protect them. In this paper costume of five main characters has been designed creatively. They are: The Turtle, the about to extinct Salamander, the Ant, the plant and the circus chief. They have been characterized through costume designing. The circus chief character because of his dominant presence has been designed based on the circus games style and the plant character is a symbol of growth while the Ant completely evokes the image of knowledge. Water and fire are the essential elements of the circus therefore, in this descriptive-experimental paper Titanium Silicate and Zirconium have been used in order for the costumes to be both fire and water resistant enough to provide the performers with better comfort.