فهرست مطالب mohammadali atashsoda

 One of the main difficulties faced by mystics in facing mystical experiences is the inability to express their lived experiences in the spiritual and intuitive worlds. Mystical poetry expresses symbolic and symbolic meanings through specific language and stable structure. The purpose of this research is to investigate and analyze the symbolic language of Attar in the stories of Asrarnameh.

 The research method in this research is descriptive-analytical based on library studies and the method of document analysis among the symbolic stories of Attar"s mystery. In this research, the samples were randomly and systematically selected.

 The results of this research show that the symbols used in the stories of Asrarnameh belong to the field of mysticism and Sufism, and its function is to objectify these teachings and concepts with a simple and fluent language and symbolically.

 The results of the research show that in Asrarnameh, the symbols are simple and understandable, and their origin is mostly in the field of humans and objects. Human symbols such as king, slave, lover, lover, sage, old man, Murad, disciple are used significantly. In most of these stories, Attar has referred to concepts such as poverty, annihilation, leaving the world, removing the hijab, fighting the ego, and leaving relationships. Due to the predominance of mysticism and Sufism in these stories, the symbols of mysticism are sometimes in conflicting state and the two poles are placed against each other.

Symbolism is a term used to describe the conceptual and symbolic meanings of an object. It is important to consider that the symbol from the perspective of rhetorical sciences is a word, phrase, or sentence that, in addition to the apparent meaning, communicates a wide range of meanings to the reader. On the other hand, the main problem with the symbol is that the symbol is one of the forms of poetic imagination, which is in a position beyond metaphor due to the multiplicity of concepts and the wide semantic capacity that it has. In a symbol, a word, in addition to preserving its true meaning, contains one or more non-real (virtual) meanings. The purpose of this article is to study the symbol of the sun (sunshine) in the works of Attar Nishapuri, which has been done through a descriptive-analytical method. Findings of the research show that in Attar’s works, the sun has been used to convey sacred meanings and codes such as Hazrat Haqq, perfect man, description of the man and his life, unity of existence and mortality in truth, and description of prophets and soul and psyche.

The study of various methods and ways of processing meaning in the narrative structure of a work created different schools of thought and theories. Today, in the communication process of language, it is an independent and unique system. Its main role is to create communication and, consequently, to convey meaning. On the other hand, the text is the result of embodying the material dimension of language and its objective embodiment. This language is composed of various external and internal levels of various signs and elements. Mystical texts, especially mystical narratives, have many decoding and interpretive capacities. Cryptography is a common method in mystical narratives. In this paper, in order to interpret mystical codes in the field of pub idioms and their role in the development of narrative in the structure of sonnets, we have used Pierce"s semiotic approach to mystical narratives. Pierce"s semiotics examines narrative elements in the form of textual signs according to the interpretive horizons that open up to the audience and the reader, as well as its relevance to mystical texts.

The results of this research have been collected in a descriptive-analytical manner and based on library studies.

The psychological system of mystical sonnets with the subject of elements related to pub literature (Saqi, Badeh, Pir Moghan, etc.) has an epistemological structure and mystic poets in the design of such narratives serve the process of processing and constructing meaning with the help of contrasting elements Expansion of meaning has been used.

The results of research show that many of the signs in mystical texts are multi-layered signs that accept different meanings and meanings according to the structure of the narrative and the texture of the text. On the other hand, mystical narratives are very suitable for expressing the political and social conditions of the age of poets and artists.

The world of mystical beliefs is based on the knowledge obtained from vague and internal intuition and sensory experience that conventional knowledge and language are not able to express. A hint of knowledge - not descriptive and inexperienced - that is gained through experience. Since the advent of the Qur"anic sciences and even before that, religious scholars, commentators, theologians, orators, parliamentarians, dervishes and Sufis have been well acquainted with the methods of cryptic expression. The most important indicator of the mystic"s thoughts and beliefs is reflection on language, and for this reason it is of special importance. In Persian, many mystics and Sufis have undertaken mystical interpretation of the Qur"an in order to achieve a deeper and more artistic understanding of God"s word, and during this period, various types of interpretation have been formed, one of which is the mystical interpretation of Kashf al-Asrar Meybodi. In this research, the third time of mystery discovery has been discussed from the perspective of layers and cryptographic networks and layers, and based on Roland Barthes cryptographic pattern in three hermeneutic, semantic and symbolic layers, the mystical features of mystical interpretation of mystery discovery in The third turn is analyzed.

This study was a descriptive-analytical study in the form of library studies.

In the third turn of Kashfil al-Asrar, Meybodi is a kind of hermeneutic, semantic and symbolic cryptography is an attempt to mystically interpret the verses of the Qur"an.

Most of the interpretation of Kashfil al-Asrar in the third turn is allusive and symbolic; In other words, Meybodi in this section tries to explore certain aspects of the message of the word in its underlying layers, which are closely related to literary and coded speech. Meybodi engages with the hidden meanings of the word with the help of various hermeneutic, semantic and symbolic codes.

Masnavi Golshan Raz is the most important and famous work of poetry by Sheikh Mahmoud Shabestari, which contains his mystical thoughts. Despite its small size, this book is one of the most valuable relics of ancient Persian mystical literature, in which the expression of Sufi concepts is accompanied by passion and enthusiasm. Shabestari composed this Masnavi in response to the questions of Amir Hossein Heravi. Shabestari composed this Masnavi in response to the questions of Amir Hossein Heravi. On the 17th of Shawwal, 717 AH, an envoy from Khorasan quotes problems and issues related to understanding and explaining some of the mysteries of mystical allusions in the form of poetic letters in a meeting with Shabestari, in which Shabestari has responded. Golshan-e-Raz's poem has the beauty of words and expressions, it is based on reason and wisdom more than it originates from imagination. In fact, the contents of this poem are a summary of the conquests of Mecca and even Ibn Arabi's Fusus. The degree of familiarity and mastery of Sheikh Mahmoud Shabestari, the great mystic, over the Qur'an and hadiths to some extent in expressing his mystical secrets in the form of guarantee, he uses allusions to the verses of the Holy Quran and the hadiths of the Prophet to prove his views. Blessed and noble hadiths. This article tries to show the rhetorical effect of literary techniques and lexical effectiveness on the use of the Qur'an and Hadith in a (descriptive-analytical) method. Page and bit number.

Simin daneshvar has a prominent place in Persian fictional literature. The way of the Application of resistance literature in the stories and novels of this female author and their analysis based on archetypical themes can be a subject of an academic study.   On the other hand, Daneshvar’s fictional works have never been analyzed from this perspective. after sampling, the analytical foundations of the research were based on the ideas of Carl Gustave Jung due to his position in depths psychology. Since the subject of this research is interdisciplinary (literature and psychology), before starting the discussion, her life and her works of fiction and Jung’s viewpoints were explained as much as necessary to help understand the concepts. The findings of the study reflected the author’s dedication to resistance literature with archetypical backgrounds and its special application in the novel ‘Sovashun’ and revealed that this novel was based on resistance literature

Structural approach to literary works due to the investigation of the elements of the text and the discovery of their interconnection pattern provides the ground for obtaining a more appropriate literary nature and by presenting the works of creating the works of the supreme literary works can extend the patterns of the processing of the literary help slow.Keywords: Simynodshan, Shushoon, Bramon, Proceedings, Narrative, Structure. A group of structuralist critics has studied the elements of the story, their narrative forms, and their rules of composition. In the meantime, Claude Burmen proposes a scheme based on the concept of relationships between the smallest units, with the advent of a system based on the form. The famous novel, soovashoon, is a great work for you, with multiple axes and streams shaping it. In order to examine the structure of the text of this novel, we must inevitably extract its outline and then analyze it. In the distribution of the novel, the original design, characters, the extent of participation in the chain of events and their role in building up the peak are of great importance. The power of a realistic novel is among them in terms of the number of complete advancements and the way in which it is organized and causal relationships. The number of major hits usually depends on the number of points of the story's height. Each person plays a role in multiple novels during a novel, but they do not play a central role in creating the main building of the story. So the novella Swishon, a logical combination is a logical combination of axial transitions that is intrinsically linked to subordinate and secondary sequences, and the number of its characters is influenced by factors such as the number of major narrative stories of powerful narratives, They are targeted with each other, the overall atmosphere and the subject matter.

The present paper is dedicated to the study of prose style and the belief behind explaining Shathiyat written by Roozbahan Boghli. The characteristics of the stylistics of the above book are examined in three levels: linguistic, literary, and mental. In the linguistic level, the phonological, lexical, and syntactic characteristics of Shathiyat are defined. At the literary level, figures of speech are demonstrated. And in mental level, it is endeavored to reinspect the major axis of Roozbahan mindset. It appears that belief in Roozbahan's monotheism is in direct relation with his stylistic characteristics such as selection of vocabularies, pun, rational to sensual similes, and paradoxical combinations. In his view, the emergence of Shathi language from Sufi is the product of his unison with God which seems to be paganish and should be reflected upon.

The present article is a comparative study of the novel One Hundred Years of Solitude by Gabriel García Márquez and Mourners of Bayal by Ghoalm Hussein. One Hundred Years of Solitudeis a novel which tells the multi-generational story of the Buendía family، whose patriarch، José Arcadio Buendía، founds the town of Macondo، the metaphoric Colombia. The non-linear story is narrated via different time frames، a technique derived from the Argentinianwriter Jorge Luis Borges. The works written with this technic are arrangements of realty and dreams in a way that it is not easy to separate them. Both of these works describe social، cultural and political problems according to the codes of magical realism.