فهرست مطالب seyyed mohsen sajedi rad

Khajeh Ahmad Kasani (866-949 A.H.), one of the famous mystics of the Naqshbandi dynasty in Mavara-o-Nahr, is the founder of the Deh-Bidiyyah or Kasaniyya school, and has more than thirty mystical treatises. Most of these treatises, which are available in manuscript form in various libraries and are few and scattered, have been introduced or corrected in various researches. The current research, with a descriptive-analytical method, is an inquiry on the art of gilding, page layout and the features used in two manuscripts of Kasani's letters in the Qajar era. These include Majlis 335 and Ganjbakhsh 2262, from the point of view of the composition within the text, examining the colors and frequently used motifs. . The beginning and title pages in many editions, including these two editions, are worthy of attention and a lot of care has been taken in decorating and arranging them. The opening pages of these two versions have similar inscriptions, and the majority of the inscriptions are domes or altars, which indicate the prevalence and development of the art of gilding in the Qajar period. Colorful flowers are often seen in the gilded text and sometimes seen in the page layout of the title pages of these works. Between the lines in the opening pages is gilded and the middle pages of the versions are tabulated. In these two editions, there are arranged borders in red on the opening pages and all pages; but these borders are without religion, inlays, flowers, leaves and colors.

The world of mystical beliefs is based on the knowledge obtained from vague and internal intuition and sensory experience that conventional knowledge and language are not able to express. A hint of knowledge - not descriptive and inexperienced - that is gained through experience. Since the advent of the Qur"anic sciences and even before that, religious scholars, commentators, theologians, orators, parliamentarians, dervishes and Sufis have been well acquainted with the methods of cryptic expression. The most important indicator of the mystic"s thoughts and beliefs is reflection on language, and for this reason it is of special importance. In Persian, many mystics and Sufis have undertaken mystical interpretation of the Qur"an in order to achieve a deeper and more artistic understanding of God"s word, and during this period, various types of interpretation have been formed, one of which is the mystical interpretation of Kashf al-Asrar Meybodi. In this research, the third time of mystery discovery has been discussed from the perspective of layers and cryptographic networks and layers, and based on Roland Barthes cryptographic pattern in three hermeneutic, semantic and symbolic layers, the mystical features of mystical interpretation of mystery discovery in The third turn is analyzed.

This study was a descriptive-analytical study in the form of library studies.

In the third turn of Kashfil al-Asrar, Meybodi is a kind of hermeneutic, semantic and symbolic cryptography is an attempt to mystically interpret the verses of the Qur"an.

Most of the interpretation of Kashfil al-Asrar in the third turn is allusive and symbolic; In other words, Meybodi in this section tries to explore certain aspects of the message of the word in its underlying layers, which are closely related to literary and coded speech. Meybodi engages with the hidden meanings of the word with the help of various hermeneutic, semantic and symbolic codes.

Woman and her personality has been the matter that attracted writers and poets’ attention, so that her beauty has been sometimes described with agreeable verses and sometimes reproached by undesirable statements. Unfortunately, our past verse and prose literature considered woman pessimistically with the effect of current atmosphere.Khajouy-e-kermani, the famous poet of the eighth century and Homer who was the beginner of the west epic poem talked about woman in their poems, sometimes both of them reproached her and sometimes praised her. Although the comparison of woman's personality in Iliad and Samnameh faces some difficulties due to the differences among cultures, these two valuable works have considered woman lower than man and these two poets unkindly behaved other woman except Helen. This article has investigated the place of woman in Iliad and Samnameh and discusses the differences and common points between these two poets by reasoning.