جستجوی مقالات مرتبط با کلیدواژه « مجاز القرآن » در نشریات گروه « علوم انسانی »

The ancient legacy is rich in information that clarifies the core of the formation of various sciences. The author of Abū ʻUbaydah Maʻmar ibn al-Muthanná al-Taymī is one of the most important works of literary and linguistic research that has had a great impact on the subsequent work This research has been conducted through an in-text and outsourced approach to analyze the perceived concept and its functions in the virtual world. From the point of view of external textual analysis, considering the time of its emergence, the cultural situation and the author's motivation, one can find an accurate analysis of the scientists' view of the effect of scientific and scientific support for introspection analysis. From the internal point of view, with the author's analysis of the language of the Qur'an, his view of the importance of poetry in theology and interpretation, as well as his understanding of the concept of interpretation, can be drawn from the point of view of the permissible conceptual domain. Abū ʻUbaydah used various explanatory tools such as vocabulary, syntax, rhetoric, and reading to explain the permitted nature.

Semantics, rhetoric, literature, interpretation and philology are among the sciences to which the Muslims had a great attention for a long time and they had many works in this field.
One of the literary men who had great services to the Islamic sciences was Abu Obaydah, the author of the book “Majaz-al-Qoran”.
The following article provides a brief overview of Abu Obaydah’s life and literature as well as the scholars’ view around image in the Quran and the motive of compilation of the “Majaz-al-Qoran”, and it aims to introduce Abu Obaydah’s style in this book.
By reading this article, you will know that is the image intended by Abu Obaydah isn’t a truth subdivision, but that is what leads us to understand the Koranic words and its vocabulary, as the his intended image isn’t the image that is used today; And he has called the ways the Quran uses to its expressions and interpretations, and he has considered the secondary meanings of the Quran’s terms and compositions as images.