جستجوی مقالات مرتبط با کلیدواژه "دست نوشت سن ژوزف" در نشریات گروه "علوم انسانی"

Building a haven or a citadel named Var-e Jamkard is one of the most significant functions of Jamshid narrative; which is cited in ancient Persian sources like Avestā and especially in Pahlavid sources. But can it be considered that there haven't existed even a sign of this most significant function of Jamshid in Shāhnāme of Ferdowsi; which plays whether or not a distinguished roll in resurrection myths? The studies discussed in this paper affirm that Var-e Jamkard is clearly showed in the variation of Jamshid narrative that quoted by Ferdowsi in Shāhnāme. We have deducted this fact from newfound Shāhnāme which is known as 'St Joseph manuscript'. This manuscript is facsimiled in 2010 by Iraj-e Afshār, Mahmud-e Omidsālār, and Nāder-e Mottalebi-ye Kāshāni. This ancient authentic manuscript is kept in the Library of Saint Joseph University of Beirut; and is recently represented by Seyyed Mostafā Musavi to scholars. In this manuscript, there are special words in the tale of Jamshid which clearly corroborate that Var-e Jamkard exists in the Ferdowsi's variety of Jamshid narrative. In St Joseph manuscript for instance, we see the word 'charāgāh' instead of 'garmābe' that is saw in all other manuscripts and printed editions of Shāhnāme. In this paper, we evaluate and compare this special section of the book in different credible manuscripts like St Joseph and London 675, beside well-known printed editions of Shāhnāme like Xāleqi-ye Motlaq and third edition of Moscow. Eventually, the expression of Jamshid and Var-e Jamkard is compared in Shāhnāme and Avestā, especially the Vandidād part of it.

Conceptual metaphor is one of the fundamental categories of cognitive linguistics. In cognitive theory, metaphor, as a phenomenon in the whole of language, is not exclusively oriented in the language of language. Conceptual metaphor is the only language that is not merely related to words, but is a process of human thinking. In conceptual metaphor, a conceptual domain is understood on the basis of another conceptual domain. Metaphor has rendered language from rhetorical rhythm to the level of means for deeper thought and supreme recognition. Considering the fact that Amir Khosrodehlouy is one of the most important indices in the classical Persian and Indian literature, according to the contribution In his development of sonnets, this paper examines the conceptual metaphor of love in the poem of Amir Khosrow Dehlavi. At first, a detailed account of the life of the Amir Khosrodehlouy, the definition of sonnets, conceptual metaphors, and, finally, the metaphor of love in the poetry of Amir Khosro Dehlavi. Because the concept metaphor has two moves from origin to destination, in two directions, vertical or horizontal, then we divide the metaphors according to the types of movement from origin to destination. Then we come up with their cognitive analysis, and in the end we conclude that the metaphor of love, with different themes, has been used in the poetry of Amir Khosrow Dehlavi. Amir Khosrow Dehlavi has been able to bring new meanings to love in two ways, the transfer of meaning and the change of meaning. And make a special symbol of it, and letting the reader to get more meaningful words by giving a suspension in the meaning of the words.