جستجوی مقالات مرتبط با کلیدواژه "ساختار شکنی" در نشریات گروه "علوم انسانی"

Considering the fact that Imam Khomeini (ra) has a style, the effectiveness of the deconstruction component in stabilizing his political lifestyle was investigated.

The library method is data analysis in examining the works of Imam and analyzing the concept of "deconstruction in style".

Imam in his political lifestyle by using the norm-breaking component in several cases - such as "explaining the ideals of the revolution", "focusing on confrontation with the principle of monarchy", "confrontation with the book of evil verses" and "confrontation with international institutions" - Has benefited.

The presence of destructive components in Imam Khomeini's political lifestyle in domestic politics caused a great spiritual transformation in the people of humiliation and lethargy to give way to deep insight, gaining independence and self-sufficiency in many areas. In the field of foreign policy, it had effects such as introducing the original identity of pure Islam and rejecting American Islam, creating new sparks of Islamic awakening, creating public self-esteem among free people around the world while insisting on religious positions. Thus, by replacing stereotypical norms with innovative behaviors in the political lifestyle of the Imam while consolidating his doctrine, the path of realization of the divine goals of the time of absence for all freedom seekers in the continuation of human life was paved.

Modernized adaptations of old works would not follow the narrative structures of the source text. Socio-historical evolutions could lead in change of the narrations. We are going to show how these kind of alterations and changes could be observed and analyzed in the frame of the theory of Deconstruction. We are also determined to show that the "Metaphysics of Presence"- one of the fundamental basis of the pre-deconstructive philosophical attitudes- could be found in the presence of dominant, omniscient narrators in old works. Adaptation writers could deconstruct the structure of the text- including the binary oppositions- by deconstructing the presence of the narrator in the source text. To show such a fact, we have opted the story of Rustam and Sohrab from Shahnameh to be comprised with one of its successful adaptations for adolescents. As a result, we will see how alteration of the addressee from adults to adolescents besides the evolution of socio-historical components can impact on the deconstruction of presence and as a result, the Epic genre will change to a Drama.

Every speech and writing is done in order to convey a message to the audience and to communicate with him, but Rumi sometimes does not express his message naturally and based on a structure based on Sufi language habits and system of thought. He shatters the foundation of the reader's expectations and imaginations by disrupting the basis of mystical definitions. The dream is also intertwined in Rumi's mind with a multifaceted attitude and every moment is manifested differently. In this research, a descriptive-analytical method based on library data examines Rumi's thought style on the issue of sleep and its fundamental difference with common mystical ideas.

The research method in this article is analytical-descriptive.

Rumi has a different orientation regarding sleep and dreaming. While paying attention to this mystical and spiritual function of sleep, he considers awakening to be the cause of transcendence. "Transcendence" is one of the most important aspects of Rumi's mystical view of the phenomenon of sleep, which ultimately leads him to "God consciousness"; In other words, Rumi achieves consciousness through the process of sleep as well as through escape from sleep, and this issue is effective in transforming the poet's existential "I" into a new and extensive "I" or "I" connected to the kingdom.

The element of awakening plays a key and important role in Rumi's thought. Contrary to the common practice among other mystics, he considers the "true awakening" of the heart to have the same value as the dream, which is the gateway to knowledge in the true seeker. Rumi has somehow resorted to innovation and deconstruction of meaning in this matter. For Rumi, the phenomenon of sleep is on the one hand an escape from virtual sleep and the neglect caused by it, and on the other hand it is the same as awakening. For Rumi, the sun is a factor that keeps him from sleeping, frightens him from sleep, and brings him closer to his "human face."

In this writing, efforts have been made to evaluate the method of application of historical pieces from the perspective of meaning and concept, and structure in balladries of Khaghani. The result of this research shows us that he, in addition to using historical pieces, like other poets, tried to treat this arrangement based on his most fundamental thinking; meaning innovation, so much so that, this approach lead to breaking the old structures in relations between elements of  myth. Reconstruction and recreation of a new narration from the same myth in his works, not only caused more expansion of meaning but also brought artistic ambiguity along with it which is easily understandable in intertwined layers of applied literal industries in his balladries.

This study examines the scenario of “Café Setareh” movie through discourse analysis of Laclau and Mouffe and critical discourse analysis as well as linguistic analysis. This study reveals the discourse formation of both traditional and modern views in interaction with each other in order to approve the semantic system and describe how and by which means this process is done. It clarifies how traditional and modernism as hegemonized nets and naturalized discourses are articulated by persuasion and other linguistic devices. One of the most fundamental points in this essay is the real situation of women in all social status and the inner effectiveness power of women as active people in discourse which tries to represent and articulate the discourse nets particularly traditional dimension. In this study we describe that there is no challenge among them to deconstruct antagonistic discourse perfectly. In other words، although traditional discourse is a kind of dominant discourse، there is no way to be marginalized perfectly by antagonistic discourse so، it is claimed that modernism forms under the shadow of tradition.

The problem for Buddhism in general is how to liberate suffering beings (Sattvas) from the meaningless repetition and circularity (samsara) and bring them to see Reality as it truly is. This writing is concerned to discuss the "innate capacity" to experience reality as it truly is; it also discusses the solution offered by Mahayana Buddhism to the problem of the liberation of beings from samsara and allowing them to see Reality. Mahayana Buddhism comes up with a curious olution: deceit. This skilful means is exemplified by one of the most respected Mahayana texts, the Lotus Sutra, which presents its
teaching in the form of seven parables. Providing an overview of these parables, this essay examines this solution.

The purpose of this paper was to examine the educational viewpoints of Derrida, to criticize it, and to deduce his educational denotations which are related to education, curriculum, and teaching methods. The study also tried to criticize and analyze these denotations. The analyses show that Derrida’s thoughts have also resulted in guidance for education. For example, nobody can impose the predetermined purposes, plans, and methods on students. The students, themselves, consider special purposes according to their needs, interests, and abilities and then specify a curriculum suitable for their conditions. There is no superior method, and selecting a method depends on each person’s special situation and his learning conditions. However, it can be deduced that Derrida gives more importance to critical, fair, multiculturalistic, exhaustive, and regional education. Also, he considers the deconstruction and critics suitable for current conditions. Derrida’s educational thoughts may be questioned since they challenge the ethics, reject all borders, and have no special evaluation criteria for evaluation.

The purpose of this paper is to show how a post Structuralistic school of thought refrains from determining the ultimate meaning of a text. Accordingly, by indicating a portion of textual characteristics such as Hafiz lyric poems at first, it will be explained from a post Structuralistic critique point of view that the meaning of Hafiz lyric poems could not be restricted to mystical analysis. Thus, in order to gain the true meaning of the text one must first release oneself from the purpose of the author and relying on the text itself and the reader level of expectation, one can build the meaning of the text. Relying on the uncertainty of the relation between signifier and signified and the infinite play of signs in language as well as due to certain characteristics of literary language including ambiguities and puzzles and the figurative and metaphoric nature and using deconstructive rules, the post Structuralistic approach shows how signifiers can go through an infinite signifying procedure. In the end, it is suggested that in order to interpret an open text such as that of Hafiz, a reader is needed to be fully aware of the structure and relative signifiers of a text, to be fully aware of the deconstruction process, and know how to add up to the meaning of a text and get away from the certain stabilized meaning.

In order to investigate and analyze a literary work, one should consider the whole work's components and phenomena in its totality to reach the destination as well as getting familiar with content and message it conveys. The fact why a literary work forms depends on this important factor that, basically, what kinds of meanings exist in the text and secondly what the relationship among different components are. We also take this issue into consideration that how readers can understand the text meaning that is, reader must be able to explain the quality of meaning comprehension of the text. However, it is clear how structuralism deals with literary texts. It analyzes the literary message based on form and structure which consists of both meaning and form and so as to access it one should begin with the analysis of voice and morpheme to end with the investigation of general structure.This kind of criticism for recognizing one valuable literary work is of much importance, so basically writers of this essay intend to investigate the laws related to structural criticism in Parvin E'tesami's poem, the great contemporary poet, to know whether the poet has had the power and capability to reach the aim of conveying the message to addressees. In present text the research procedure is library based. We deal with Parvin's odes, considering two very important issues in structural criticism, e.g. structural infringement and semiology. We want to know which special message can be understood among Parvin's odes that are apparently various and different with the same meanings. With this in mind our understandings of her poems can be more exact, besides we deeply become aware of the capability of the great poet in composing her pure poems.

Defamiliarization is one of the prominent theories of literary criticism. Every artistic efforts that helps to rub off habitude and listlessness between the addresse and the writer which develops sensational understanding, mind challenging and creativity, is defined as defamiliarization. It was introduced by V.B. Sheklovsky the Russian writer of past century, and now it is diverted in different types such as Lexical and syntactic. Saeb is one of the well-known poets of persian literature in the field of defamiliarization whom his creativity, new saying, and innovation was salient. In this essay we are going to examine the major Styles of Saeb Considering defamiliarization of word, speech, meaning, and the necessity of their usage.