جستجوی مقالات مرتبط با کلیدواژه "شخصیت زن" در نشریات گروه "علوم انسانی"

"Archetypes" are important psychological elements. "Archetypal criticism" has always been considered one of the important types of literary criticism. The theory of archetypes is based on the thought of Carl Gustav Jung, a theorist in the field of psychological sciences. In this theory, the structural elements of myth, which are present in the collective subconscious mind, are analyzed. According to Jung, there is a kind of universal experience in these elements that is repeated in different forms and in all generations. Contemporary psychologist and theorist Shinoda Bolen also contributed to a more accurate understanding of archetypes by supplementing Jung's theories and elaborating on their manifestations in daily lives of individuals. In the present study, by means of mythological and psychological criteria in Shinoda Bolen's theories, two famous theatrical "woman" characters have been the subject of comparative studies. They are "Julia" from the play "Miss Julia" by August Strindberg and "Ensie" from the play "Sing in May" by Akbar Radi. Although created in two different geographies and cultures, both characters bear significant similarities from Shinoda Bolen point of view. This study also shows the fact that quoting mythological and psychological elements in the creation of theatrical characters can lead to the production of a similar pattern in the process of this creation. A pattern that transcends temporal and spatial boundaries and relies more on archetypes than any other element.

An archetype is the reflection of universal concepts and perceptions of a single subject in the collective subconscious. One of its main concepts is the mother archetype, widely present in ancient myths and stories in terms of variety in meaning and form. This study investigated female character based on Gustav Jung's theories about the Mother Archetype. A previous relevant study investigated the mother archetype and Jung theories in literary works such as poetry and fiction. Only two works have investigated the play The Sky Horses Rain Ashes, which differ from this study in terms of scientific theory and character study. The questions that this study sought to answer are as follows: 1) How have the components of the mother archetype been reflected in the play The Sky Horses Rain Ashes? and 2) How is the mother archetype represented in the personal subconscious of the character of the play The Sky Horses Rain Ashes? The main goal was to show that the use of the mother archetype in the play is aimed at raising and processing its character. The results indicated the representation of female symbols and elements in the real and virtual forms of the mother archetype in the characters of the play. The reflection of the mother's archetype in the real form includes: creativity, support, purity, divinity, giving hope, liberation, reflection of life in the subconscious mind (doubt, mother complex, pain, suffering, loneliness) and that in the virtual form is in natural elements, including the effect of past life on the subconscious mind in the symbolic form of the mother's uterus, rebirth, guardianship, and security provision. This study was conducted using the descriptive-analytical method and written library sources.

Over the past fewdecades, women writers have been able to reflect on the social, cultural, and emotional issues of woman. Among the themes that can be seen in their works are partriarchy, everyday life, loneliness and trying to find identity, and so on.zoya pirzad, one of the contemporary women writers, has been able to portray woman and the world of women with a feminine thought and writing. In her works, the main and central character is a woman. A woman with all the worries and issues related to the female world. Some of the womenin pirzads works are passive and patiently bow to problems. But others are willingly trying to solve the problems of individual and social life and establish their position. In this research, the woman and her social status in the works of this author are discussed.

Many scholars claim that an analytical look at the history of Islam clearly shows that the post-prophet Islamic society underwent epistemological and behavioral transformations in many important areas that were of particular interest to the Prophet, and in a gradual movement distanced itself from the concerns of the Prophet.But it seems that if such a long and fragile claim cannot be accepted; But according to the abundant historical evidence, there can be no doubt that the Prophet's view of women's personality and rights was different or inconsistent with what was later formed in the religious community.In this article, while briefly explaining the personality and position of women in the prophetic age and the capacities created by the Islamic epistemology system to realize their potential, an attempt is made to answer the question of when and how the change in the personality and rights of post-apocalyptic women it fell?The brief answer to these questions, which is followed by historical reports based on analytical historiography, is that the first fundamental steps for this deviation in the Umayyad caliphate seem to have been taken, for example: Return of sexual discourse to the relationship. Men and women, returning to an object-oriented view of women, promoting moral corruption in order to prevent the moral and human capacities of women, and so on can be mentioned.

Many scholars claim that an analytical look at the history of Islam clearly shows that the post-prophet Islamic society underwent epistemological and behavioral transformations in many important areas that were of particular interest to the Prophet, and in a gradual movement distanced itself from the concerns of the Prophet.But it seems that if such a long and fragile claim cannot be accepted; But according to the abundant historical evidence, there can be no doubt that the Prophet's view of women's personality and rights was different or inconsistent with what was later formed in the religious community.In this article, while briefly explaining the personality and position of women in the prophetic age and the capacities created by the Islamic epistemology system to realize their potential, an attempt is made to answer the question of when and how the change in the personality and rights of post-apocalyptic women it fell?The brief answer to these questions, which is followed by historical reports based on analytical historiography, is that the first fundamental steps for this deviation in the Umayyad caliphate seem to have been taken, for example: Return of sexual discourse to the relationship. Men and women, returning to an object-oriented view of women, promoting moral corruption in order to prevent the moral and human capacities of women, and so on can be mentioned.

The memoirs of the Holy Defense are one of the most enduring documents in the history of Islamic Iran.September 22, 1980 The Ba'athist regime in Iraq launched a military attack on Iran and the imposed war began. From the beginning of the war, women and men worked in the form of relief and support groups, which they took on and did until the end of the war. after the war, women fighters recorded their memories in the form of novels, memoirs and oral histories of the war. the present article examines how the personality dimensions of women fighters in the sacred defense are represented in 4 selected memoirs. these four books, entitled Sabah, Saji, The Bright Lights of the City, and The Most Beautiful Days of Life, while written with the focus on female personality, are up-to-date and effective works in this field.The findings of this article show that the representation of women's personality can be classified into four meaning domains of insight, tendency, action and personality-building factors using thematic analysis method. In the field of insight, issues such as religious, moral and revolutionary beliefs can be raised and in the field of tendency, themes such as self-made, powerful, war-disgusting, curious and chaste spirits are mentioned. In the field of action, items such as aid, religious, revolutionary, military, cultural and religious activities are included.Finally, family-centered personality-building factors are emphasized.

Karistan Hatem, a single manuscript which is kept in the manuscript Treasury of the Leipzig University, is the work of a poet named Farid Ibn Ghazfar. This legend is a poetic narration of one of Hatem Taichr('39')s stories. The poem gives a description of the mania of the Sham princes named Munir for Hosn Banu, the beautiful queen of Khorasan, and about Hatemchr('39')s sacrifices that led to their marriage. Although the protagonist of this story is an invincible superhuman, his activism owes much to the dramatic role-play of the women in the story. In the following article, after briefly introducing the manuscript, the story has been deciphered from the viewpoint of the female characterschr('39') performance. By giving an in-depth investigation and analysis, it can be concluded that the story is based on the ancient beliefs left over from matriarchy. This claim is corroborated by implications for motherhood, including the city of women, totemism, exogamy, plant God themes, and sacrifice for the mother queen. Another result of this research is to deepen this story and its capacity to accept comprehensive readings of mythology, sociology, and psychology.

The character is one of the most essential features of the novel, which in conjunction with other features forms the novel. The female characters and their concerns, problems, physical and spiritual aspects have been taken into consideration in the writings of many novelists, and depending on the political, social, and cultural conditions of each country in different periods of time, several images of women have been illustrated by novelists. Accordingly, Amir Hassan Cheheltan and Ali Badr, two Iranian and Iraqi novelists, have portrayed pictures of the women of their communities. This paper tries to compare female characters and to study their similarities and differences in Chehletan and Badr's novels, based on American and Slavic schools of comparative literature. Servant women, political and social activists, academicians, and victims are the most prominent female characters in both authors' novels. The study examines the similarities and dissimilarities of the characters in many aspects, such as servants' bonds with masters, education and carrier, and levels of political and social activism, rooted in similar social and political conditions in both Iran and Iraq.

Throughout history, women had not had a high rank and would often face cruelty. However, by daily increasing awareness of man and rapid social and human advances, the question aroused as to what is the real rank of women in society and family. In the present era, recognizing woman’s character is important from the standpoint of Islam. In Islamic community and as a consequence of the subtle school of Islam, woman educates and raises religious and hard- working people in addition to recovering her subtle statue in family. In this regard, the present research aims at investigating the role of Islamic culture in developing family and woman’s character. The present research is of the practical ones. The method of the present study is surveying. Throughout history, women have proven their value with deserve. Although the life teachings of Islam has had much influence in the way of making the personality of women alive, many facts have been concealed behind ignorance and superstition and women’s society has not yet been able to benefit Islamic culture as it should. The findings of the present research displayed that the Islamic culture has affected the progress and advance of woman’ character and family to a great extent.

This paper analyzes the role of personality traits of women in their mystical journey.Mystically speaking, female traits cause brighter manifestation of divine beautiful names whereas male traits cause greater manifestation of divine majesty names. Accordingly we may ask whether this differentiation in manifestations could effect men and women's mystical journey and if the transgender view of the mystics about the differentiation in seeker's talents may extend to gender issues. By combining mystical issues and psychological achievements, this study draws the relationship between personality traits of women and seven spiritual stages. Such an approach in analyzing issues related to mystical journey is a novel achievement and has special importance, both in the field of women's issues and the mystical topics. In this study, it becomes clear that the role of female characteristics in her mystical spiritual wayfaring are sometimes helpful and sometimes play a deterrent role; so that the seeker, by knowing how these traits are influencial, can measure a deeper plan for the quality of her spiritual wayfaring.

Beowulf is the first known English epic which preserves the history, myth, culture and some basic human values of people from the past and present, though Beowulf is often considered as the archetypal of an Anglo-Saxon literary work depicting the pagan life of the Scandinavians. But a close analysis of their culture presents another perspective of history. Some epic characters even elevate themselves to mystic levels of honor and bliss. The purpose of this study was to trace and pinpoint how the Beowulf’s poet attributed ethical thoughts and motives and intervened the mystical nature of religion into the pagan life of women. The research focused its attention on the way the Beowulf poet interweaved the life of the women characters and mystical values beyond all religious restrictions and fused them into the basic structure of the epic, Beowulf.

One of the important events in the history of our country, especially after the islamic revolution is the war issue. Besides the influence of political, social and economic problems, has been affected to literature especially fiction. Novelists have used the war as a great treasure to address the subject of fiction. Because a novel tells conditions of people during the history by description of historical events. One of the subjects which the novelists notied is condition of warriors and their families. Among the characters in these stories women characters is striking. During the war between Iran and Iraq and after that the women in the family have an important position in the consolidation. If most of them did not fight with men, they kept safe their home and family from events harm in men’s absence, they reintegrate warriors necessities or help injureds in hospitals. This paper analyzes the foundations of the family and the role of women in strengthening and maintaining these institutions, with emphasis on the book called "Dakhil e Eshg". The women in this story are in place of mother, wife, dauter and nurse. Some of them think about their personal life regardless to the country. But most of them have a strong, strong-willed and dedicated

Zoya Pirzad and charming Wafi realist writers as well as a place for women to live their best regardless details. Behind the works of these authors AndyshhHa common perceptions about female characters MyKhvrd eyes. The present study aims to investigate the issues of female main character DastanHay "I ChraghHa off MyKnm" Zoya Pirzad and "my bird" is a charming Wafi. Both authors psychological, socio-cultural and economic center of their attention DadhAnd and thus the image of the life and character of women in the eyes of the reader visualize NmvdhAnd. This leads to the conclusion that the female character in the story of the life and work during wear, discovering their own individual identity. Both with a strong emotional attachment to their wives that they have an emotional void and therefore feel lonely existence is subdued. The two in-house as he moved Avqatshan Housewives often suffer from boredom AynRv KsaltVr pick, however, special commitment to women's tasks and maintain their family circle.

Ezzel-din Manasereh is one of the contemporary and prominent poets of Palestine whose newly comments in the realm of Palestine and resistance poem have endued him with a special place in contemporary literature due to his modern delineation in critique. Traditional characters and in particular mythical and folk female characters in Ezzel-din’s poem have great vibrancy which inspire the poet under the influences of cultural, political and social factors to insinuate aforementioned concepts in an artistic way. He invites everyone to resistance in front of the occupants and protection of Arabic and national identity using mythical female character. And thus he challenges the political and social events of his time. Applied myths in Manasereh’s poem are mostly national, Arabic and native and rarely religious. He takes advantage of myths which represent resistance and national identity and heritage such as: Zarghae, Yammameh, Maryam and Jafra. Besides national and Arabic myths he also has made use of Greece and Mesopotamian myths. As it is obvious in his poems he seldom uses Western myths and mostly depends on national origins and sources.Mythical female characters and their variations in Manasereh’s poems have been studied here. These myths are native and locally and sometimes Grecian originated and are derived from his national and transnational beliefs.

Theater has played a role of much greater importance in society than merely amusing the audience. The playwrights represent the culture، lifestyle and customs of the society، interpret the culture، and criticize it. According to Aristotle، play is the mimesis of human action. He believes that mimesis is complementary to human learning and internal abilities and is the distinguishing feature of human beings as against animals. According to Aristotle، the playwright is a thinker and a critic of society who establishes a second world through objectifying his subjective world. Aristotle’s conception has been evaluated and rewritten repeatedly، but still serves as the dominant attitude in the field of drama and theater; it can be regarded as the primitive conception of reflection approach towards art. The reflection approach in sociology of art encompasses diverse extensive research، the common notion among which is the belief that art is a mirror of society. In this approach، research is focused on the works of art so that our knowledge and understanding of society is enhanced. The present article attempts to answer the questions what kind of women are the women in Naghmeh Samini’s plays? And، if we divide women into modern، traditional and in transition، to which group do these women belong? To answer these questions، the sociology of art and the reflection approach have been selected as the theoretical framework، and to provide theoretical coherence، the symbolic interaction theory has been utilized in the analysis of female characters of these plays. The symbolic interaction theory has been developed by George Herbert Mead. He has considered institution and the way it is developed in individuals and has concluded that institution is formed through the communication between individuals and the society. According to Mead، social action is the unit of behavioral analysis. Social action is an interaction between two or more individuals who have some mutual duties. In the definition of gender role in the present article، four elements are of great importance: concept of self-conception، behavioral characteristics، communicative patterns and the position in the power pyramid. All these elements are derived from the theory of symbolic interaction. The plays Dream in an Empty Cup and The Mug by Naghmeh Samini are chosen as the statistical samples. An analysis of the female characters in these plays، on the basis of gender roles، shows that two of the four female characters represent modern woman، and the other two represent the traditional woman. In this article، the argument is deductive and the methodology for the analysis of the data is interpretative.

The status of the Arab women before Islam has always been considered as the lowest one; since, men considered them void of perfect intellect and deprived them from numerous rights (including the rights of ownership, inheritance, domination of dowry and other properties).Furthermore, being deprived from acquisition of knowledge and skills of the time and not being properly dressed in the society are believed to be among the other conditions for women. However, through a more profound study about the above mentioned issues and consulting various historical and tradition sources and a multi-facet analysis of the narrations and quotations from the scholars, it can be implied that the women's right of ownership, domination of properties, enjoying appropriate clothing, making efforts to acquire knowledge, and enjoying equal rights as with men had probably been somehow approved. Although, one can not deny proportional prevalence of issues such as not wearing hijab, bedizenment by some women, the belief in women's having deficient intellect, and considering them seditious and wicked.