جستجوی مقالات مرتبط با کلیدواژه "text distortion" در نشریات گروه "علوم انسانی"

The text of the Qur'an is one of the sensitive religious texts that, according to God Himself, has never been and will never be distorted. Therefore, considering the importance of the Qur'an in the life of Muslims, an appropriate and faithful translation to the source text should be provided to be closer to the purpose of revelation and to solve the problems of Muslims. In the field of translation, several theories have been proposed and the present study is based on descriptive-analytical method and based on the theory of French Antoine Berman. In his theory, he with utmost rigor opposes in all respects a translation that is not faithful to the source text. In this article, Ayatollah Makarem Shirazi's translation is examined based on seven tendencies of Antoine Berman's text distortion system (rationalization, clarification, expansion, ennoblement, qualitative impoverishment, quantitative impoverishment and the destruction of rhythms). The translator has the most distortion in rationalization and the least distortion in ennoblement and destruction of rhythms of the text. In some cases, his translation has suffered from qualitative and quantitative impoverishment, clarification and expansion. In general, Makarem Shirazi's translation, based on the seven tendencies of Berman, is a faithful translation to the source text.

The manuscript of Nahj al-Balaghah belonging to the Safavid period is one of the treasures of the National Library's treasury of documents. of writing this work by the traditional way shows the visual knowledge of the calligrapher and his unique creativity in managing the written text. Its layout is written with distinct visual arrangements. The present study seeks to answer the question of what visual and semantic space creates a visual and semantic space in the audience in the manuscript of Nahj al-Balaghah belonging to the Safavid period and what visual principles and basics influence the creation of this sensory space. The hypothesis of researching the beauty of form and content in a linear work owes much to the heartfelt belief in Islamic-Shiite teachings as well as the creative use of framing and page layout management based on the principles of image organization to convey meaning to the audience Creating a relaxing and amazing atmosphere for the audience of the present age. The purpose of this research is to explain the semantic and visual aspects of influential page layout of Nahj al-Balagheh manuscript as part of the traditional graphics of the Islamic period. The research method is descriptive-analytical, the method of collecting library materials is through phishing and image reading. Based on the studies, it can be concluded: The creation of this manuscript by Shiite calligrapher is associated with love of beauty and enlightenment to the truths of divine existence and self-cultivation, and provides the background for the creation of aural writing on the page, the beauty of form in the Nahj al-Balaghah manuscript, it owes much to the use of conventional and creative frameworks formed the basis for the formation and management of writing. There is a harmony between gilding and writing in conveying a soothing sensory meaning on some pages. Visual arrangements follow the transmission of special meanings such as harmony and calmness, visual movement and effervescence, rhythm and rhythm, darkness and light, distance and proximity, contrast and contrast. The author of this work has used the principles of image organization such as harmony, contrast, balance, mastery, movement and proportion, to convey the sensory meaning, attract the view and visual guidance of the audience.

Translation is one of the ways to create cultural interactions between nations. In the meantime, it is the translator's responsibility to provide a correct translation. Translation theorists have come up with different patterns and models for evaluating translations. Translation evaluation and assessment based on the available models and patterns, reveals the quality level of the translated text and its positive and negative features. Therefore, the acceptability of the translation of a literary work is determined when it is evaluated according to these patterns. In this article, the Arabic translation of Marzbannameh, titled "Stories of Al-Amir Al-Marzban on the Language of Animals", has been studied based on 9 cases of Antoine Breman's text distortion system theory and evaluated by descriptive-analytical method. The research findings indicate that despite being familiar with the Persian language, the translator has sometimes failed to understand, receive and transfer the content and despite the translator's efforts, meaning gap and inefficiency in equivalent selection can be observed. Among the studied components, the two components of qualitative and qualitative impoverishment had the highest frequency and the component of destruction of rhythms had the lowest frequency. The main reason for this and the distance of the translator from the original text should be considered in the type of source text and its literary and technical aspect and the translator's lack of fluency in Persian.