جستجوی مقالات مرتبط با کلیدواژه "بزرگمهر" در نشریات گروه "ادبیات و زبان ها"

Cultural, political, and social associations among Iran and Arabic nations such as Lebanon has been existing from Achaemenid era that this interaction, consequently, has led to the common cultural-scientific goals between these two nations. However, the noteworthy outcome is the effect of Persian language on Arabic language which has a long story and plays an important role. This progression started from the pre-Islamic period, when Persian vocabularies affected poets’ poems, and has been continued by the contemporary era. But what has been paid less attention is the effect of Persian culture and language on Lebanese literati. Khalil Mutran is known as one of the great Lebanese poets who revolutionized traditions and created a new prospect in Arab world poet. (Maqtal Bozargmehr) quasida is one of his works which is an exclusive epic in representing some aspects of Persian history. Mutran’s goal in writing Maqtal Bozargmehr quasida was Arab uprising against Ottoman regime to set themselves free from autarchy. In this quasida, Khosrow Anushiravan is a hidden secret to the Ottoman king. And Bozargmehr story has an exemplary aspect that aims at awakening the new generation in the Arab world. This study tries to review and evaluate the Maqtal Bozargmehr quasida, written by the great Arab poet, through content analysis method. Khalil Mutran known as “Qutrain poet” – territorial poet- (Lebanon and Egypt) that Persian language effect is well evident in his work.

Al-adab al-saghīr has been translated from Pahlavi, and can be regarded as the crossroads of the Iranian and Islamic cultures. Ibn-e Moqafa’a, like other translators of Pahlavi texts, translated texts which were in line with Islamic thoughts from Pahlavi to Arabic. This was warmly welcomed in the Arab world, but they were gradually intertwined with Arabic thoughts and the Iranian roots were forgotten. In the present paper, the sources for some Iranian thoughts in Ketab- al-adab al-ṣaghīr will be presented. This paper will also signify the deeply rooted Iranian culture in Arabic literary works.

"Majles-guee" is a type of giving speeches which had developed significantly in the past in Iran and one can find examples of it in different periods. Ferdowsi's Shahnameh, especially in its historical section which is based upon pre-Islamic sources, opens a window to the cultural and intellectual atmosphere of the Sassanid era and presents the current ideas of the time with subjects such as ontology, religious questions, importance of speech and its criteria, methods of governing, social rights of the people, and the role of the king, religion and government. These subjects are presented in such a way that they are very similar to "Majles-guee" in Islamic times. One of the most significant examples is Noshirvan's Haft Bazm (Seven Feasts). On such occasions and at the presence of the king, Bozorgmehr, the wisest scholar of the time would present some didactic subjects followed by questions and answers. This paper analyzes Anushirvan's Haft Bazm in this light.

Iranian scholars like Allame Ghazvini, Foruzanfar, Khazaeli, among others, have attempted to look for the main motifs of Sadi's ideas within the old Arabic poetry. In a detailed study, Hossein-ali Mahfuz claims that the main themes of sadi thought should be sought in the poetry of Arab poets like Motanabbi. It is understood here that the role of the Iranian ancient culture and literature has been ignored. In the meantime, defenders of Sadi have tried to account for the claim mentioned above by appealing to factors like the accidental occurrence of a thought to two different poets unknown to one another, competition at composing a single theme, and by mentioning humane and lofty intentions in Sadi's texts. Adopting a different approach, the present article attempts to go further back beyond the Abbasids to the Old Iranian culture and literature in the quest for the origins of Sadi's thought. It will investigate thirty such texts not mentioned in the studies available. These are presented as samples, to demonstrate that our researchers, instead of looking into old Arabic texts, should search Sadi's thoughts in the ancient Iranian culture.