جستجوی مقالات مرتبط با کلیدواژه "رهی معیری" در نشریات گروه "ادبیات و زبان ها"

The role of society and political factors regarding the differences of human language is undeniable, and such issues, together with biological factors, forces, and multiple impositions, causes the differences between male and female languages. This difference, along with the theme of betrayal in poets' poems, has created remarkable examples. In this research, considering the betrayal component and based on Robin Lakoff's opinions, an attempt has been made to introduce the languages of four contemporary poets, and finally to compare with each other. Such an approach leads to the recognition of the differences in the views on woman and man, and in general, the perception of these poets about the relationship between the earthly lovers centered on betrayal. The findings of this research indicate that the languages of Farrokhzad and Behbahani are very clear in the use of color words, promise words, etc. Compared to these two, the languages of Shahryar and Mo'ayyeri, due to the use of masculine language, are indifferent toward these elements. The type of gender perspective and attention to feminist issues is also more obvious in the poems of Farrokhzad and Behbahani, and besides recounting issues related to infidelity, they try to change the audiences' views toward woman. But in comparison with these two, in Shahryar's poems, the components of betrayal and disloyalty have never caused the gender distinction, or the superiority of man over woman. On the other hand, a gender distinction can be seen in the poems of Rahi Mo'ayyeri.

music has a long history importance of music in the cultural background of the society, the association of poets with musicians, their activity in the field of music, has created a link between music and Persian poetry. in this field influenced their poetry. In the present study, the poems of three musical poets: Ali Akbar Shida, Rahi Mo'ayyeri, Mohammad Hossein Shahriar have been analyzed from the perspective of paying attention to vocal music and its effect on their poetry with a stylistic approach. Ali Akbar Shida is a great ballad composer and all his poems are composed, Mo'ayyeri wrote several ballads and had direct contact with musicians. Shahriar himself was a musician and while socializing with musicians, he also played an instrument. The results of the research show: that poets' familiarity with vocal music and collaboration with musicians have influenced the music of poetry, the beautification and content of their poetry. The music of their poetry is in accordance with the rhythm and harmony of the music, as it is suitable for singing, and most of their poems are composed. . In the aesthetics and content, they used musical terms, there are many arrays of similes, allusions, puns, and Congeries. n the theme of the poem, in the lyrical content, they have used musical words, they have expressed the description of love, persecution and unfaithfulness of the beloved, personal and social sorrows, loneliness and solitude with musical terms.

Abnormality is one of the practical methods in composing poetry and conveying the concepts hidden in it, and many poets have used this method to convey their intentions. The norm-breaking poet succeeds in creating artistic pleasure with the aim of literary resurrection in poetry. Examining the degree of abnormality in the poetry of contemporary poets shows the extent of their ability to highlight words. Since one of the most important factors in the transmission of culture is language, the type of use of language is one of the most important characteristics of poets. In this article, by reviewing the concepts related to linguistic aberration from Leach's perspective, different manifestations of linguistic abnormality in the poems of "Rahi Moayeri" and "Mehrdad Avesta" have been studied. The purpose of this study is to investigate the types of linguistic aberrations based on Leach theory in the poems of these two poets. This research was conducted with a library method and with a descriptive-analytical approach. Convey your wishes to the reader.

Every one of distinguished poets of Persian literature has been master in some types of literary. In such a way that they have changed that type of literary into a good standard for other literary works. Furthermore, their works as a mother text have attracted poets, writers, and other artists. One of this great poets , “Sa’adi-e Shirazi “, is as a certain literary Persian master. Also many poets are influenced by Sa’adi’s style in the way that they versify. One of the contemporary sonneteers who is more influenced by Sa’adi in his style of poems, selecting the terms, composition, content, and the type of his glance is ‘Mohammad Hosein Rahy Moayeri’. This article tries to investigate Rahy Moayeri’s impression from Sa’adi in ode based on Gerard Genette’s transtextuality theory . This theory surveys all correlations between one text and other texts as well as it characterizes the quality of the influence of “pretextuality” and “hypertextuality” and analyzes the aspects of a text. In result, what we can understand includes something such as: Rahi’s attitude to Sa’adi’s ode, the use of terms and combinations in an un explicit and implicit way, and the processing of the subject and content, the type of Rahi’s look into Sa’adi’s poets in different topics, and the quality of imitation or the changing of looking into Sa’adi’s contents . These are compiled based on analytical- descriptive way and library method.

The remarkable differences between Ahmed Shawqi and Rahi Moayyeri are as follows: epic and social concepts in shawqi's against Moayyeri sonnet – like poetries. Showqi's poetries are simple and fluent while Moayyeri's own complex lexicon and figures of speech. In Showqi's poetry a logical procedure can be seen whereas analyzing different aspects of Prophet Mohammad's life as well as studying his characteristics. Although realism, deep honor and ignoring beautiful depicting is common in both poetries. The outstanding concept in Showqi's poetry is appealing to Ahl – e Beit while there is no trace of it in Moayyeri's in spite of his growth in Shia's environment.

The color in Luscher experiment is divided into eight groups and what matters in this experiment, is the preference in the selection or rejection of colors because Luscher knows that it is caused by character and mentality. Also, color combinations are one of the imaginations in literary schools that the poet creates his works using them. The color spectrum of Rahi's poems has been influenced by his imaginations, because they sometimes used description of romantic or mystical - social, and literary attitudes. This paper aims to explore the artistic and emotional value of color in Rahi's poem and tries to show the color combinations. Rahi's colors have aspect of symbolic and also color patterns have been used in the titles of his compositions. Rahi has used both original meaning and virtual meaning. But what is important in this study is that Rahi's techniques to create color images are not only influenced by his personality but also in the creation of these images artistic and literary elements have played an important role.

Adherence to the principles of eloquence and commitment to the moral principles in Persian literature has always been of great significance، as in most rhetorical and literary works، there can be seen some chapters under title of plagiarism. Copyright or the right of the author in modern life، is somehow a reminder of narrow criticism of great literary scholars regarding Plagiarism. Anvari، who is one of the great men in Persian literature and had shown his talent in most poetic styles، has attracted the attention of a large number of poets. Great poets like Attar،Molavi،Saadi، Khaghani and others have repeatedly literary imitated his poems and borrowed some verses. The poets who started saying poets after him، also did not see themselves needless of his poems and having his Divan in their hands، tried to imitate him. Sometimes they were not able to get out of his shadow on their poems. This is to the extent that sometimes they took profit of his poems in unfavorable ways. By careful and diligent studies in this paper، we have found some poems of Anvari in Divans of some poets with very strong and documented evidences of Plagiarism in the form of Direct Plagiarism، Modified Plagiarism and surface- modified Plagiarism. While indicating these types of Plagiarism، specifically the direct Plagiarism of one of Anvari''s poems seen in the divan of RahiMoayyeri، one of contemporary poets، is introduced. Some verses Plagiarized from Anvari by SeifFarghani have also been carefully studied in this paper

Statistical stylistics has helped the systematic and scientific study of literary research considerably. The lexical wealth a poet or writer applies in his or her work is considered as features of the style and structure of a literary work. One of the methods used for identifying the lexical wealth is Johnson's Theory. Using statistics and an interdisciplinary approach, this method follows to approach more accuracy and precision. In this paper, it has been tried to study the issue of words variation in poetic style of Rahi Moayeri, Hushang Ebtehaj and Fereydoon Moshiri using Johnson's quantitative method. At the end of the research, it was determined that the poetic style of Rahi Moayeri had a more lexical variation than the two other poets. In addition, the poetic style of Fereydoon Moshiri had a more lexical variation than that of Hushang Ebtehaj.

Separation is one of the most descriptive and meaningful words that has not been defined comprehensivly. In other words، from its genesis‚ each sage and poet has described and defined separation differently and according to his understanding and inclination. Separation in Sa´di sonnets is mostly due to the beloved''s inattention and breakup. In sa´di''s poems، describing separation and consequent emotions doesn''t usually derive from grief and melancholy; it is relatively mild and complaint from the beloved or about misfortune is not srver. In compression، separation in Rahi''s sonnets is only the result of grief and melancholy. Rahi''s depression، compares to Sa''di''s depression is much more and Sa''di considers it more optimistically. In Rahi''s poems، detachment is usually due to unfaithfulness or the beloved''s departure and it is the beloved who travels and separates from the lover; however، it is Sa''di who goes and sauses separation at times because of helplessness or his fate. In this study، how separation is reflected in Sa''di''s and Rahi Moayeri''s sonnets and some aspects of separation and its manifestations are discussed as well.

"Rahi-e Moayyery," is one of the best Persian contemporary Poet whose outstanding Ghazals, are admirable both in form and content. His friendship with musicians and music and with artists gave his poems a special taste. Although, '' Love '', is the most favorite issue in Rahi's Ghazals, he has considered other subjects such as: magnanimity and liberation, patriotism, lament of the fortune, description of beauties and glorification of great scholars and artists. His extraordinary natural and acquired qualities and qualifications empowered him in this matter.This study has tried to review the above- mentioned issues in Rahi's Ghazals by presenting evidence from his works.

Rahi-e Moayyeri, is the famous Persian contemporary poet whose eloquent and charming language has attracted many people. This paper has tried to analysis the reasons ofthis attraction and popularity. To do this, firstly the rank of Rahi-e Moayyeri among the contemporary poets, especially among the traditionalists one, is studied. Then the mostimportant elements of the popularity of his poets are inquired. The primary inquiry showed that the great part of this success is related to formal aspects of Rahi’s poetry. Therefore in following parts of paper the form and structure of Rahi’s poems were examined more precisely by a point of view based on structuralism and formalisms. As a conclusion, it is supposed that the attraction of Rahi’s poetry is due to the musicality of his language that is the result of a deep knowledge of music taught from childhood.