جستجوی مقالات مرتبط با کلیدواژه "سبک شناسی شناختی" در نشریات گروه "ادبیات و زبان ها"

Metaphors provide a new understanding of experiences and give new meaning to human beings, and metaphor is an important tool for conveying human beliefs and practices. Thus, the application of this theory to cognitive stylistics and the analysis of literary texts or collections of one's writings can be useful in determining one's mental style and minutes of stylistic understanding. The purpose of this study is to investigate and achieve a similar pattern in the classification of metaphors used in past and present texts. To this end, we examine the conceptual metaphors used in the two types of Persian prose in the books of Dar al-Majanin and Kimiyah Sa'adat, while looking at the origin of both books and considering the differences between the two. Of the 118 metaphors examined in the book of Kimiya Sa'adat and the 98 metaphors in the book of Dar al-Maghanin are the statistics obtained as follows: The Book of Kimia Happiness: Structural Metaphor 24- Ontological Metaphor88- Directional Metaphor 8 Dar al-Maghanin's Book: Structural Metaphor 25- Ontological Metaphor57- Directional Metaphor 5 The most commonly used metaphor frequencies in both books were ontological metaphors, which had about 74.5 and 58.1%, respectively, and the least frequent ones were directional metaphors, which were 6.8% and 5.1%, respectively.

The main goals of stylistics are discovering individual aspects, stylistic similarities, and individualities in different works. But can these goals be reached by cognitive stylistic? This research demonstrates by logical argument and poetry examples that cognitive stylistic cannot be used to discover literary distinguished and stylization aspects. In the stylistic domain, this perspective can be used to discover general, periodic, or discourse styles. For this purpose, we showed that discovering individuality and stylistic distinctions are the basis of stylistic studies. Then we define cognitive stylistic as a branch of stylistic. In the next part of the article, it is determined that literary works are accepted generally when they place in general culture cycle which is the birthplace of repetitive cultural metaphors. After that, as a practical proof for the research claim, we analyzed some works of post-Nima mainstream leaders and classical Persian poetry. Results showed that cognitive systems manifested in these poets' works are similar. Finally, we concluded that cognitive stylistic cannot be considered as a reliable research perspective to discover cognitive individuality.

The theory of possible worlds is one of the theoretical foundations of cognitive stylistics that is rooted in Leibniz's philosophy. Understanding how narratives are narrated is central to this theory; it illustrates the text-reader interactions and the relationship of reader with literary narrative. Masnavi Manavi, as one of the largest source of the mystical literature, encompasses the foundations of practical and theoretical mysticism. By using descriptive-analytic method and based on the theory of possible worlds, in the present article the attempt is made to propose a new reading of Masnavi Manavi. Jalāl ad-Dīn Muhammad Rūmī, as the narrator of the stories, speaks subtly about narrative discourses and creates worlds, including epistemic, fantasy and ideal worlds, in the mind of reader. In the story of Dezhe Hooshroba (the castle of Fortress), the theory of possible worlds is mostly portrayed as an epistemic world with the aim of teaching mystical doctrines based on the pattern "if ... so". In the ideal world portrayed in the story, Rūmī uses the conjunction of "or" and terms that include desiring, yearning, and demanding. For him, love is the most important means of discovering, constructing and taking intuition of the ideal world. Love helps the sālek (the holy traveler) in the path of intuitive knowledge. We have access to these worlds in temporal, linguistic and natural way, but the frequency of temporal access is greater.

Reading two of Ali Babachahi's poetry works, based on schema theory in cognitive stylistics Abstract Using schema theory in cognitive stylistic, this paper on one hand, tries firstly to point out to some of the contemporary modern poetry stylistic variations through showing deviations and schema changes in Babachahi's poetry works, and on the other hand, by reading and analysis of two of Babachahi's poetry works, proceeds to scrutinize some schema so that considering the modality of schema disruption and/or creation of new designs in Babachahi's poetry works we could reach out to some of his stylistic components. Nevertheless the aim of the paper is not only reading Babachahi's poetry work but also more importantly it's about obtaining the criteria for studying verbal poetry works which in the writer's point of view the traditional stylistic is unable to analyzing and knowing characteristics of such poetry works Key Words: 1- cognitive stylistics 2- Ali Babachahi 3- schema disruption 4- creation of schema