جستجوی مقالات مرتبط با کلیدواژه « شیرکۆ بیکەس » در نشریات گروه « ادبیات و زبان ها »

According to the research conducted by literary scholars and linguists, the word loses its semantic influence and capability over time due to its application within a specific linguistic system, turning into a somewhat routine phenomenon. To resurrect and enrich words, the litterateur or poet allows them to undergo paradigmatic and syntagmatic processes, granting a kind of freshness and new life to them by placing a word from one conceptual family next to one from another. Furthermore, this displacement of words adopts a modern form of power and function. Known as hybridization, this is a prominent process in literature. In the Kurdish literature, Sherko Bekas has employed this art particularly widely. This descriptive-analytical research seeks to analyze hybridization in Sherko Bekas’ poetry. The poet has created art by utilizing the technique in several semantic areas relevant to man, his occupation and conditions, religious, tools and instruments in his life, nature, language and literature, music, abstract and non-abstract concepts and time-space. He has thus granted greater power to his language of poetry and developed a new language. He has also provided man and the domains of poetry and nature with particular significance in that regard.

Mountain has been regarded as the preserver of identity for Kurds. The Kurdish language and literature are rich in vocabulary regarding mountain, in a way that there are more than 200 words for it in Kurdish language. Living in the mountains from 1985 to 1986, Shirko Bikas, contemporary Kurdish poet, wrote ‘mountain poetry’ against the Baath regime. He has formed a symbolic stock of vocabulary different from the general vocabulary of mountain in his poems. He has used the symbol of mountain in different ways, sometimes in an artistic way and sometimes as a motto. Symbol, as an artistic trope, is intertwined with ambiguity and vagueness. In poetry, a symbol is an artistic arena to oppose social and political injustice and oppression. Using the mountain as a symbol in his poetry, Shirko Bikas has given a wide variety of meanings to it, such as freedom, poverty, body and soul, struggle, city, and sacredness, which are all different from the meaning and symbol of mountain in the general vocabulary. The prominence of narrative in Shirko Bikas’s poetry has led to the narration of history in the form of poetry. This has caused a little weakness in the poetic characteristics, discourse, and sacredness of the mountain.

Every literary context is made from two main parts; form or ecstatic structure that the context was constructed on, and the content or theme, which is the text’s subject matter and is expressed through language and order of the words. There exist plots in human historical memory, which later paved their ways into the literature, that concentrate on the concepts of “Aging, Loneliness, and Death” in order to decode the mysterious essence of these concepts. Particularly the concept of Death with is filled with the secrets and complex questions, and takes over thee human lives. In this study, we attempt to investigate these concepts and meanings in art of poetry in order to delineate the connection, sequence, and timing of these three concepts in one hand and on the other hand, to delineate the link between thoughts related to these concepts and the poetry composing. Furthermore, as an instance for value of these thoughts and the role of these thoughts in excitement of the readers’ mind in two poems by Şêrko Bêkes. The conclusion revealed that there is an unbroken connection among these three concepts, which causes each of them to remind reader of two other concepts. In other word, each of these concepts inserts a more general central theme.

The present paper seeks to explore the poetical premises and stylistic features of the works of Ruwange and Kifri, as two major literary schools. Both schools played a highly significant role in the literary development of Kurdish poetry from 1970 to 1991, which is considered as an influential stage in contemporary Kurdish literature. Kurdish Poetry went through several different stages in the 1970s and 1980s. The stylistic approach proposed by Professor Cyrus Shamisa provides the theoretical framework for the present study according to which the triplet lingual, literary and epistemological levels of a given literary work ultimately shape its stylistic feature. In the present research, attention is paid to the poetical works of founders of schools, Sheko Bekas and Latif halmet. They are also considered as two great poets whose works develoed contemporary Kurdish poetry. Their poetry is read in terms of the mentioned stylistic approach through the examination of the triplet levels in Shamisa’a approach.