جستجوی مقالات مرتبط با کلیدواژه "لغه الجسد" در نشریات گروه "ادبیات و زبان ها"

Omar Ibn Abi Rabia is a famous poet of the Islamic and Umayyad periods. His poems are mainly lyrical, and he played a crucial role in giving independence to lyrical poetry. In his sonnets, the body parts of the Self and the Other are described in a concrete and meaningful way. The presence of the body in the field of language, especially in lyrical compositions, is increasingly important. This study examines the verbal structures and rhetorical methods that the poet used to describe the body parts and considers the female body as a non-verbal medium based on a descriptive-analytical framework and narrative statistics. The statistical table, by determining the frequency of body parts and the type of descriptive or media function, explains the implications meanings of each part. The study finds that the vocabularies that the poet uses in order to describe the beloved’s body are semantically rooted in Arabic poetry. From a rhetorical point of view, there are a few examples of the homogeneous description of the Other’s body. In terms of communication and media function, the Self’s and the Other’s body have psychological and emotional implication and are tied to customary and social symbols, which are manifest in gestures and dress codes.  Body plays a significant role in Omar’s poetry as it functions as a discourse that sheds light on the poet’s conscious and unconscious layers of mind.

Human relationships do not stop at the boundaries of spoken words, but instead use physical gestures. The body language is consistent with the spoken language to convey the meaning of expression. The study became unique to this task. The study began to subform the body language in the evangelicals left by Badr Shakar Sayab. The study tried to reveal the extent of this language in his love poetry based on the analytic descriptive method. The poetic examples were chosen randomly from the bloom of "Azhar and Asatir" which contained a large percentage of the love song of this Iraqi poet. Since the body language itself is a complex branch, researchers have taken six subdivisions: the language of the eye, the language of the lilies, the face language, the language of lips, the language of perfume and poetry to fit the poetry of the Sayab. The research concluded that the language of a poet in this area, often translated and inspired his poems; The language of the eye is like charm and beauty, the language of the hand that is most commonly used in its language, because the words of the poet are supplemented by the expression of his feelings, the language of the lips is suppressed by the expression of the Arabic, and the face language of the egregious poet has revealed the mysteries of the faces which have become enmeshed in the open world.